Fables of Modernity expands the territory for cultural and literary criticism by introducing the concept of the cultural fable. Laura Brown shows how cultural fables arise from material practices in eighteenth-century England. These fables, the author says, reveal the eighteenth-century origins of modernity and its connection with two related paradigms of difference--the woman and the "native" or non-European. The collective narratives that Brown finds in the print culture of the period engage such prominent phenomena as the city sewer, trade and shipping, the stock market, the commercial printing industry, the "native" visitor to London, and the household pet. In connecting imagination and history through the category of the cultural fable, Brown illuminates the nature of modern experience in the growing metropolitan centers, the national consequences of global expansion, the volatility of credit, the transforming effects of capital, and the domestic consequences of colonialism and slavery.
A collection of 15 fables from a founding figure of postmodernism that ask in the words of Jean-Francois Lyotard, "how to live and why?
''The novels of Wyndham Lewis have generally been associated with the work of the great modernists – Joyce, Pound, Eliot, Yeats – who were his sometime friends and collaborators.
Jamesonâe(tm)s controversial reading of one of the great twentieth-century writers.
Porter, Roy, ed. Rewriting the Self: Histories from the Renaissance to the Present. London: Routledge, 1997. Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. New York: Routledge, 1992. Pratt, Stephanie.
Brown shows how the literary works of the 18th century use animal-kind to bring abstract philosophical, ontological, and metaphysical questions into the realm of everyday experience, difference, hierarchy, intimacy, diversity, and ...
Liu, Kang. “Is There an Alternative to (Capitalist) Globalization? The Debate about Modernity in China.” In The Cultures of Globalization, ed. Fredric Jameson and Masao Miyoshi, 164–88. Durham, N.C.: Duke University Press, 1998.
Performers such as Mamie Smith, Ma Rainey, Alberta Hunter, Clara Smith, and Bessie Smith toured extensively across the United States and would often be featured in city clubs with a backing ensemble band.
This is a great book."--Rahul Mehrotra, RMA Architects and Massachusetts Institute of Technology "This fabulous book is lively and engaging, as well as profound and important.
Sarah Scott's Millenium Hall focuses on this idea , expanding the role filled by Madame Du Maine in her earlier novel to make the widow and her benevolence central to the narrative . Mrs. Morgan , a widow , and the other ladies of the ...
Fables. of. Modernity: Wyndham ... and 1939) that trace not only the rise and wane of his interest in Nazism, but also his growing recognition of the importance of fascism to the self- consciousness of literary and aesthetic modernism.