In Holy Tears, Holy Blood, Richard D. E. Burton continues his investigation of Catholic France from Revolution to Liberation. From his focus in Blood in the City on public demonstrations of the cultural power of Catholicism, he now turns to more private rituals, those codes of conduct that shaped the interior lives of French Catholic women and determined their artistic and social presentation. "Here there is rather less blood, and considerably more weeping," Burton says. In portraits of eleven women, including Simone Weil and Sainte Thèrése, he traces the lasting power of particular expressions of suffering and sacrifice. How, Burton asks, does a rapidly modernizing society accommodate the cultural-historical legacy of religious belief, in particular the extreme conservative beliefs of ultramontane Catholicism? Burton pays particular attention to the doctrine of "vicarious suffering," whereby an individual suffers for the redemption of others, and to certain extreme forms of religious experience including stigmatization, self-starvation, visions, and apparitions.
For Roche, the ability of opposing forces, whether political or religious, to work side by side in solidarity was ... “L'Église bénit le travail, car c'est la grande loi de l'expiation et du rachat, qui moralise, ennoblit, réhabilite .
Unlike the Holy Tear, another liquid relic of Christ, the Saint Sang (Holy Blood) left a residue or trace of its presence visible in desiccated brownish patches on glass reliquaries that housed it.3 Nevertheless, Church authorities ...
Sweeping and engaging, Dreyfus offers a new understanding of one of the most contested and significant moments in modern history.
Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance. New York: Metropolitan Museum of Art, 2010. Ainsworth, Maryan, and Keith Christiansen, eds. From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum ...
Jonas also reports that until the army halted the process, images ofthe Sacred Heart were superimposed on the French flag and ... Richard D. E. Burton, Holy Tears, Holy Blood: Women, Catholicism, and the Culture of Suffering in France, ...
I would urge to the reader to see in particular Brenna Moore's introduction to her Sacred Dread: Raïssa Maritain, ... in which the author critiques readings such as the one offered by Richard D. E. Burton, Holy Tears, Holy Blood: Women, ...
An Encyclopedia of People, Places, and Supernatural Events from Antiquity to the Present Patrick J. Hayes ... miracles in, 1–4 Catholic, 1–2 glossalalia, 3 healers, 3 Marian apparitions, 2 Namugongo shrine, 2 Protestant, 3 Rwanda, ...
J.-S. Allard, Le Volontaire Joseph-Louis Guérin du corps des zouaves pontificaux (Nantes, 1860). 91. Delmas, Neuvième Croisade, 335, and Daniel to ... PC to Miss O'Connor Morris [Maria Catherine Bishop] in Bishop, Memoir, 1:268. 117.
OH BEAUTIFUL Your heart was proud because of your beauty; you corrupted your wis- dom for the sake of your splendor. ... however perverse its purpose, draws our attention to beauty, to enhance it or even to demonstrate that is missing.
She took the name Thérèse de l'Enfant-Jésus et de la Sainte-Face (Thérèse of the Child Jesus and the Holy Face). ... 3 (July, 2008): 273–306; Richard D. E. Burton, Holy Tears, Holy Blood: Women, Catholicism, and the Culture of Suffering ...