Medieval Arras was a thriving town on the frontier between the kingdom of France and the county of Flanders, and home to Europe's earliest surviving vernacular plays: The Play of St. Nicholas, The Courtly Lad of Arras, The Boy and the Blind Man, The Play of the Bower, and The Play about Robin and about Marion. In A Common Stage, Carol Symes undertakes a cultural archeology of these artifacts, analyzing the processes by which a handful of entertainments were conceived, transmitted, received, and recorded during the thirteenth century. She then places the resulting scripts alongside other documented performances with which plays shared a common space and vocabulary: the crying of news, publication of law, preaching of sermons, telling of stories, celebration of liturgies, and arrangement of civic spectacles. She thereby shows how groups and individuals gained access to various means of publicity, participated in public life, and shaped public opinion. And she reveals that the theater of the Middle Ages was not merely a mirror of society but a social and political sphere, a vital site for the exchange of information and ideas, and a vibrant medium for debate, deliberation, and dispute. The result is a book that closes the gap between the scattered textual remnants of medieval drama and the culture of performance from which that drama emerged. A Common Stage thus challenges the prevalent understanding of theater history while offering the first comprehensive history of a community often credited with the invention of French as a powerful literary language.
It also lays out a positive case for the things that do work--direct instruction, knowledge-rich classrooms, and lots of practice. If you care about improving teaching and learning in our schools, this book is for you.
... common-mode range and the avoidance of level shifting between the stages, while the telescopic stage can offer larger bandwidth and lower thermal noise. Figure 2.9 illustrates a folded cascode amplifier with a common-source output stage ...
... 2004) Ringler, W. A., “The First Phase of the Elizabethan Attack on the Stage, 1558–1579, HLQ 5.4 (1942), 391–418 Rix, H. David, 'The Editions of Erasmus's De copia', Studies in Philology 43 (1946), 595 605 Robinson ...
Referential practice: Language and lived space among the Maya. Chicago: e University of Chicago Press. Haraway, D. (1988). Situated knowledges: e science question in feminism and the privilege of partial perspective.
... stage opamps the output node should see only one DS-voltage to each of the power supply rails. Thus, the output stage should be of the common-source type as it is in the two-stage Miller opamp in Figure 6-2. When using a common-source ...
Moorhaven Hospital community psychiatric nurses (CPNs) were expected to build relationships with their patients and to use this as a medium for care delivery and for helping patients to cope with the effects of their illness.
Representative Lynn Martin , who took Anderson's Congressional seat in Illinois , when asked how she rated women's issues on her agenda , answered , " Zip . ... There isn't any politician , male or female , who likes these issues ...