Exotic and yet familiar, rife with passion, immorality, hunger, and freedom, Bohemia was an object of both worry and fascination to workaday Parisians in the nineteenth century. No mere revolt against middle-class society, the Bohemia Seigel discovers was richer and more complex, the stage on which modern bourgeois acted out the conflicts of their social identities, testing the liberation promised by post-revolutionary society against the barriers set up to contain it. Turning life into art, Bohemia became a space where many innovative and original figures—some famous, some obscure—found a home.
"A vivid investigation into the seamy underside of nineteenth and twentieth century Paris"--
The stranger in Paris will here find opened to him places in which he may study for himself the Bohemian life of the city in all its careless disregard of conventions. The cafés, cabarets, and dancehalls herein described and illustrated ...
About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work.
Bohemian Paris in the 1880s.
Christopher Prendergast, The Triangle of Representation (New York: Columbia University Press, 2000), 21, 119, 120. 78. ... Lois Boe Hyslop and Francis E. Hyslop, Jr. (University Park: The Pennsylvania State University Press, 1964), 143.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1899 edition.
Bohemian Paris of Today
While d'Anglemont introduced a 'Killer of Cats' and 'Popular Artists', Mayhew profiled 'Destroyers of Vermin' and ... and a courtesan; Mayhew's interview technique underpinned the structure of his series, providing a voice, ...
Belich, James, Replenishing the Earth: The Settler Revolution and the Rise of the Angloworld (Oxford, 2009). Benjamin, Walter, Charles Baudelaire. A Lyric Poet in the Era of High Capitalism. Trans. Harry Zohn (London, 1973).
This scarce antiquarian book is a facsimile reprint of the original.