At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity. Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs. Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.
Dressing Modern Frenchwomen: Marketing Haute Couture, 1919-1939
As Paris-based style-coach Aloïs Guinut explores in this invaluable book, French women have a lot to teach us about how to cherish the planet without sacrificing your style: - Know what works for you. - Buy less and buy better.
... Adored: Raël's uFO Religion (Rutgers, 2004); Millennium, Messiahs and Mayhem (Routledge, 1998, with Thomas Robbins); and Storming Zion: Government Raids on Religious Communities (Oxford university Press 2016, with stuart Wright).
Stewart, M. L. (2008), Dressing Modern Frenchwomen: Marketing Haute Couture, 1919–1939, Baltimore: Johns Hopkins University Press. Taylor, L. (2002), The Study of Dress History, Manchester: Manchester University Press.
Here are four seasons' worth of strategies for shopping, cooking, and exercising, as well as some pointers for looking effortlessly chic.
Georges, the prime mover for the initiative, recruited two journalist friends of his, Marius Larique and Marcel Mon- tarron, between horse races at the Saint-Cloud track where he was gambling away most of Gallimard's start-up money.
See especially, Mary Lynn Stewart, Dressing Modern Frenchwomen: Marketing Haute Couture, 1919–1939 (Baltimore: Johns Hopkins University Press, 2008); Mary Lynn Stewart, 'Sliming the Female Body?: Re-evaluating Dress, Corsets, ...
House of Fashion provides a full historical account of the interplay between fashion and the modern interior, demonstrating how they continue to function as a site for performing modern, gendered identities for designers and their clientele ...
2 (1993): 32–33; Nancy O'Bryant, “Insights into the Innovative Cut of Madeleine Vionnet,” Dress 12, 1 (1986): 80; ... 1929), xviii– xix; Mary Lynn Stewart, Dressing Modern Frenchwomen: Marketing Haute Couture, 1919–1939 (Baltimore: ...
Baltimore: The Johns Hopkins University Press, 1996. Fell, Alison S. French and Francophone Women Facing War. New York: Peter Lang, 2009. Felski, Rita. The Gender of Modernity. Cambridge, MA: Harvard University Press, 1995.