What was it about a small, humble folk instrument that allowed it to become an American icon? The guitar represents freedom. the open road. protest and rebellion, the blues, youth, lost love, and sexuality. With adoration Tim Brookes explores these ideas and how they became entwined with the history of America. Shortly before his fiftieth birthday, baggage handlers destroyed his guitar, his twenty-two-year-old traveling companion. His wife promised to replace it with the guitar of his dreams, but Tim discovered that a dream guitar is built, not bought. He set out to find someone to make him the perfect guitar-- a quest that ended up a dirt road in the Green Mountains of Vermont. where an amiable cur mudgeon master-guitar-maker, Rick Davis, took a rare piece of cherry wood and went to work with saws, rasps, and files. Arriving with conquistadors and the colonists, the guitar found itself in an extraordinary variety of hands: those of miners and society ladies. lumberjacks and presidents wives, girls and boys courting in canoes and frolicking on picnics, Hawaiians, African-Americans. Cajuns, Jazz players rehearsing in a men's room in Atlantic City. spiritualists. singing cowboys of the silver screen. bluegrass musicians, and Beatles fans. Inventors and crackpots tinkered with it. In time it became American's instrument, the rhythm of its soundtrack. When Tim wasn't breathing over Rick's shoulder. he was trying to unvravel the symbolic associations a guitar bolds for so many of us, musicians and nonmusicians alike. His quest took him across the country.talking to historians. curators. and guitar makers. As David Spelman, founder and director of the New York Guitar Festival. raved: "Guitaris "a love to the guitar. from a guitar-loved extradinaire."
William Grant Still and the Fusion of Cultures in American Music
... 475 Hummin ' to Myself ( Ronstadt ) , 390 The Hunter ( Blondie ) , 169-70 The Hunter ( Ike and Tina Turner Revue ) ... James , 183 , 185 , 186 , 192 " Honeymoon Suite , " 470 Honky Tonk Angel ( Cline , P. ) , 66 Honor ( benefit CD ) ...
RAY NANCE ( trumpet ) , JOHNNY HODGES ( alto sax ) , FLIP PHILLIPS ( tenor sax ) , EARL HINES ( piano ) , AL CASEY ... session with ( I to r ) : Flip Phillips , Oscar Pettiford , Ray Nance , Betty Roché , Sid Catlett and Earl Hines .
Surgeon's Call
I had been invited as special guest on a Jerry Douglas Christmas tour, wryly titled “Jerry Christmas.” It was an honor and a challenge for me to play with Jerry and his band of high-level musicians. But for Aimee and Tanner it was a ...
The 1920–21 series of three “Tuesday nine o'clocks” at Jenkins Art Galleries featured the Hambourg Trio along with the English baritone James Campbell-McInnes who was, like Guerrero, a new arrival on the Toronto musical scene.9 ...
In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, "both as a fascinating, exhaustive study of the riches of the past and as a stimulating ...
这些经历让我对剧院极其憎恶:日复一日无休止地重复同样的台词和同样的动作,还要忍受他人的任性多变。而且戏剧对人生的看法,以及它的废话连篇都令我非常厌恶。我离开了戴利,返回到位于卡耐基音乐厅的练舞房里。尽管收入不多,但我又可以穿上那件白色的希腊 ...
《瓦格纳与哲学:特里斯坦和弦》将作曲家瓦格纳的艺术生涯置于他那个时代的哲学背景中,详细而全面地研究了瓦格纳与哲学家之间的密切联系:从马克思以前的社会主义者到费尔 ...
我从来不看乐评,不关注别人的赞扬,能听到观众的好评固然值得高兴,但我更关注的是如何将自己变得更好,在下一场音乐会中发挥得更出色。△有人问我,对当今世界舞台上非常活跃的陈美有什么看法?我认为:“陈美的演奏风格是古典加流行,从古典转向流行相当容易, ...