The Statue of Liberty has become one of the most recognizable monuments in the world: a symbol of freedom and the American Dream. But the story of the creation of the statue has been obscured by myth. In reality, she was the inspiration of one quixotic French sculptor hungry for fame and adoration. Inspired by descriptions of the Colossus of Rhodes, the young Frédéric Auguste Bartholdi first envisioned building a monumental statue of a slave woman holding a lamp that would serve as a lighthouse for Ferdinand de Lesseps’s proposed Suez Canal. But after he failed to win this commission, and in the chaotic wake of the Franco-Prussian War, Bartholdi set off for America, where he saw the perfect site for his statue: Bedloe’s Island in New York Harbor. Before long, he was organizing the construction of a massive copper woman in a Paris workshop. Through spectacular displays of the statue’s arm and torch in Philadelphia at the 1876 World’s Fair, and the statue’s head at the 1878 Paris Exhibition, along with other creative fundraising efforts, Bartholdi himself collected almost all of the money required to build the statue. Meanwhile, he brought luminaries including Gustave Eiffel, Victor Hugo, Ulysses S. Grant, Joseph Pulitzer, and Emma Lazarus into his scheme. Moving from the black waters of the Nile to the revolution-torn boulevards of Paris, to the muddy streets of New York, Liberty's Torch tells the story of an artist, entrepreneur and inventor who fought against all odds to create this wonder of the modern world.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...