This film producer’s honest, hilarious behind-the-scenes memoir “details the planning, handholding and power games involved in making movies” (Publishers Weekly). Art Linson has had a hand in producing some of the most unforgettable films of the past half-century—Fast Times at Ridgemont High, The Untouchables, Fight Club—and has worked with some of America’s finest actors and directors. In what the Los Angeles Times calls “a breezy anatomy of ritual humiliation,” his memoir gives us a brutally honest, funny, and comprehensive tour through the horrors of Hollywood. “Art Linson puts a film freak exactly where he or she wants to be: in the Fox screening room during the studio brass’s horrified first look at Fight Club...Linson gives readers a glimpse into a bizarre world where ‘It’s good’ is the absolute worst thing you can say about a movie.” —Entertainment Weekly “A hoot.”—The Philadelphia Inquirer Includes a new interview of Art Linson by Peter Biskind and the screenplay of the film version
A middle-aged widower, Eaton had recently married Margaret O'Neale Timberlake, the daughter of a Washington tavern keeper. Her first marriage had been to a ...
10 When the funeral party reached Kearney she cried out to Sheriff Timberlake , " Oh , Mr. Timberlake , my son has gone to God , but his friends still live ...
Lt. John Timberlake was smitten, talked her into marrying him, and then was forced to leave his bride for an extended naval voyage.
The supporting cast, including Lionel Barrymore as Jackson, Tone as Eaton, Robert Taylor as Timberlake, and James Stewart as another persistent suitor, ...
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According to Robert E. L. Krick of Richmond in an e-mail message, the only likely candidates ... the prison adjutant, and a clerk known only as Timberlake.
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We'd picked the green tomatoes just before the frost and let them ripen in buckets. Every day we'd sort through them looking for some that were ripe enough ...