Death Comes for the Archbishop sprang from Willa Cather's love for the land and cultures of the American Southwest. Published in 1927 to both praise and perplexity, it has since claimed for itself a major place in twentieth-century literature. The narrative follows Bishop Jean Latour and Father Joseph Vaillant, friends since their childhood in France, as they organize the new Roman Catholic diocese of Santa Fe subsequent to the Mexican War. While seeking to revive the church and build a cathedral in the desert, the clerics, like their historical prototypes, Bishop Jean Laury and Father Joseph Machebeuf, face religious corruption, natural adversity, and the loneliness of living in a strange and unforgiving land. The historical essay traces the artistic and spiritual development that led to its writing. The broad-ranging explanatory notes illuminate the elements of French, Mexican, Hispanic, and Native American cultures that meet in the course of the narrative, they also explain the part played by the land and its people - their history, religion, art, and languages.
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A portrait of an enduring friendship, from one of America’s most celebrated novelists. ‘Quite simply a masterpiece’ Daily Telegraph Two priests are despatched from Rome to New Mexico to reinvigorate Catholicism among the locals, ...
Not only is the research exemplary but so is the narrative artistry, the work of history as art.” —Robert Gish, author of Nueva Granada: Paul Horgan and the Modern Southwest “Historians, and general readers as well, seeking vivid ...
It concerns the attempts of a Catholic bishop and a priest to establish a diocese in New Mexico Territory. The novel was reprinted in the Modern Library series in 1931.
There is something epic-and almost mythic-about this sparsely beautiful novel by Willa Cather, although the story it tells is that of a single human life, lived simply in the silence of the desert.
In this groundbreaking book on Cather's relationship with her life partner, author Melissa J. Homestead counters the established portrayal of Cather as a solitary genius and reassesses the role that Lewis, who has so far been rendered ...
"Whatever is felt upon the page without being specifically named there—that, one might say, is created." This famous observation appears inWilla Cather on Writing, a collection of essays and letters first published in 1949.
It concerns the attempts of a Catholic bishop and a priest to establish a diocese in New Mexico Territory.The novel was reprinted in the Modern Library series in 1931.
This CliffsNotes guide includes everything you’ve come to expect from the trusted experts at CliffsNotes, including analysis of the most widely read literary works.
A deep pleasure to read, this volume reveals the intimate joys and sorrows of one of America’s most admired writers.