On December 29, 1890, two weeks after the killing of Sitting Bull, the United States Seventh Cavalry opened fire on Mini-conjou Ghost dancers near Wounded Kneed Creek. Some army officials claimed that the dancers were armed and that the Ghost Dance was a call for the extermination of all whites. Many Lakotas believed that the massacre stemmed from the Seventh Cavalry's enduring bitterness over Custer's loss at the Little Big Horn fourteen years earlier.
In Voices of Wounded Knee, William S. E. Coleman brings together for the first time all of the available sources -- Lakota, military, and civilian. He recreates the Ghost Dance in detail and shows how it related to the events leading up to the massacre. Using accounts of participants and observers, Coleman reconstructs the massacre moment by moment. He places contradictory accounts in direct juxtaposition, allowing the reader to decide who was telling the truth. His balanced treatment suggests that the massacre grew out of decades of broken treaties, cultural misunderstandings power struggles between the Department of the Interior and the U.S. Army, and erroneous and inflammatory reports by irresponsible members of the press.
Regge N. Wiseman , a fine archaeologist and colleague at the Museum of New Mexico , dug up a number of scarce excavation reports for Susan and me on short notice . Peter McKenna and G. B. Cornucopia of the National Park Service helped ...
They are still the forgotten people of America, their victories little noticed, their problems overshadowed by the larger groups around them. But the Native American tribes of the South and...
Originally published in 1891 and 1900, Myths of the Cherokees and The Sacred Formulas of the Cherokees have been the definitive work on the customs and beliefs of the Cherokee...
The definitive resource on the Eastern Band of Cherokee Indians recording their history, material culture, oral tradition, language, arts and religion. Mr. Mooney lived with, ate with, even spoke with...
Indian Country analyzes the works of Anglo writers and artists who encountered American Indians in the course of their travels in the Southwest during the one-hundred-year period beginning in 1840....
Green (director of the American Indian Program, National Museum of American History, Smithsonian Institution) and Fernandez (acting First Nations officer at the Ontario Arts Council) present about 200 alphabetically-arranged entries...
From "first encounters" in the late eighteenth century to modern tribal economies, this rich documentary history charts the major trends shaping the lives of Oregon Indians and how those Indians...
This narrative takes an ethnographic approach to American Indian history from the arrival of humans on the American continent to the present day. The text provides balanced coverage of political,...
"The following years were very hard for the survivors. The federal government negotiated a treaty with them but failed to get Sagwitch's signature when, enroute to the meeting, he was...
Although it is usually assumed that Native Americans have lost their cultural identity through modernization, some peoples have proved otherwise. Brian Hosmer explores what happened when cultural identity and economic...