American Quilts in the Modern Age, 1870-1940: The International Quilt Study Center Collections

American Quilts in the Modern Age, 1870-1940: The International Quilt Study Center Collections
ISBN-10
0803220545
ISBN-13
9780803220546
Category
Art / History / Modern (late 19th Century to 1945)
Pages
496
Language
English
Published
2009-04-01
Publisher
Nebraska
Authors
Patricia Cox Crews, Marin F. Hanson

Description

Pulitzer Prize–winning historian Laurel Thatcher Ulrich has remarked, “Much of the social history of early America has been lost to us precisely because women were expected to use needles rather than pens.” This book, part of the multivolume series of the International Quilt Study Center collections, recovers a swath of that lost history and shows us some of America’s treasured material culture as it was pieced and stitched into place.  American Quilts in the Modern Age, 1870–1940 examines the period’s quilts from both an artistic and a historical perspective. From pieced block to Crazy style to Colonial Revival examples, as well as one-of-a-kind creations, the full array of style and design appears in this book covering seven decades of quiltmaking. The contributing authors provide critical information regarding the modern and anti-modern tensions that persisted throughout this era of America’s coming of age, from the Civil War to World War II. They also address the textile technology and cultural context of the times in which the quilts were created, with an eye to the role that industrialization and modernization played in the evolution of techniques, materials, and designs. With full-color photographs of over 587 quilts, American Quilts in the Modern Age, 1870-1940 offers a new visual and tactile understanding of American culture and society, bridging the transition from traditional folk culture to the age of mass production and consumption.

Similar books

  • 雷诺阿
    By 娜莎莉亚·布洛兹卡娅

    皮埃尔-奥古斯特·雷诺阿生活和呼吸着的是一种新的艺术风格,对他来说,第一次印象派画展意义重大,他的画作得到艺术家们的肯定。1873年他搬到了蒙马特并在那里度过了一生 ...

  • 莫奈
    By 娜莎莉亚·布洛兹卡娅

    周... III.1雷诺阿,H.(1841-1919)—生平事迹 2 油画—作品集—法国—近代 IV.1K835.655.722J233 中国版本图书馆CIP数据核字(2004)第051724号© Confidential Concepts, Worldwide, USA © Parkstone PressInternational, New York, USA 书名:莫奈译者:蔡德崑 ...

  • The Essential René Magritte
    By Todd Alden

    Seven years earlier , he had met Georgette Berger ( 1901–1986 ) , his future wife , on a carousel at the Charleroi town fair . Now , in 1920 , he runs into her by chance in the botanical gardens in Brussels , where he has moved a couple ...

  • Impressionism Abroad: Boston and French Painting
    By Erica E. Hirshler, Mary Anne Stevens

    DESMOND FITZGERALD Born 1846 , Nassau , Bahamas ; died 1926 , Brookline , Mass . home and prompting them to acquire more art . They bought Hunt's Gloucester Harbor ( cat . 24 ) as well as paintings by J. Foxcroft Cole and several French ...

  • Breaking Frame: Technology and the Visual Arts in the Nineteenth Century
    By Julie Wosk

    Technology and the Visual Arts in the Nineteenth Century

  • David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
    By David Smith, Steven A. Nash, Candida N. Smith

    David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005

  • The New Path: Ruskin and the American Pre-Raphaelites
    By Linda S. Ferber

    Tricks demonstrating scientific principles from inertia to perceptual illusions. Includes sample patter and performance tips.

  • John Singer Sargent: Complete Paintings
    By Richard Ormond, Elaine Kilmurray

    The water - colour was almost certainly a gift from the artist to his devoted friend Alice Barnard ( 1847-1918 ) . He had painted her twice at Broadway , Worcestershire , in 1885 ( see Early Portraits , nos .

  • 塞尚
    By 娜莎莉亚·布洛兹卡娅

    1872年,毕沙罗来到蓬图瓦兹定居,两人亲密无间,开始共同创作。他俩一直合作到1877年,期间只出现过短暂的中断。合作中,毕沙罗常对塞尚的画提一些自己的建议,这段时期是塞尚一生中惟一接受指导、惟一受到外界影响的时期。在众多画家中,也只有毕沙罗能对他 ...

  • 高更
    By 娜莎莉亚·布洛兹卡娅

    在哥尔哥塔的自画像, 1886年布面油画,74×64厘米,圣保罗美术馆关于人们是接受还是排斥他的艺术信条,以及他在艺术上的地位问题,不同时代具有不同艺术品位的研究者的观点大相径庭,但各有 其合理的根据。有人视他为现实主义的破坏者,认为他反叛了传统, ...