How the West Was Drawn explores the geographic and historical experiences of the Pawnees, the Iowas, and the Lakotas during the European and American contest for imperial control of the Great Plains during the eighteenth and nineteenth centuries. David Bernstein argues that the American West was a collaborative construction between Native peoples and Euro-American empires that developed cartographic processes and culturally specific maps, which in turn reflected encounter and conflict between settler states and indigenous peoples. Bernstein explores the cartographic creation of the Trans-Mississippi West through an interdisciplinary methodology in geography and history. He shows how the Pawnees and the Iowas—wedged between powerful Osages, Sioux, the horse- and captive-rich Comanche Empire, French fur traders, Spanish merchants, and American Indian agents and explorers—devised strategies of survivance and diplomacy to retain autonomy during this era. The Pawnees and the Iowas developed a strategy of cartographic resistance to predations by both Euro-American imperial powers and strong indigenous empires, navigating the volatile and rapidly changing world of the Great Plains by brokering their spatial and territorial knowledge either to stronger indigenous nations or to much weaker and conquerable American and European powers. How the West Was Drawn is a revisionist and interdisciplinary understanding of the global imperial contest for North America’s Great Plains that illuminates in fine detail the strategies of survival of the Pawnees, the Iowas, and the Lakotas amid accommodation to predatory Euro-American and Native empires.
How the West was Drawn: Mapping, Indians, and the Construction of the Trans-Mississippi West
How the West was Drawn: American Art and the Settling of the Frontier
This artistic journey is filled with the rather unusual stories of the cowboy artist who carried paints and pencils in his saddlebag and sculpted animals out of beeswax and mud.
Step-by-step instructions for the beginning artists in drawing cowboys, Indians, stage coaches, covered wagons, and other Western scenes.
Ian Morris, boldly entering the turf of Jared Diamond and Niall Ferguson, provides the broader approach that is necessary, combining the textual historian's focus on context, the anthropological archaeologist's awareness of the deep past, ...
LET THERE BE LIGHT Additional sources: James T. Patterson, Congressional Conservatism and the New Deal: The Growth of ... THE TERROR OF AIDS Additional sources: Abraham Verghese, Steven L. Berk, and Felix Sarubbi, “Urbs in Rure: Human ...
Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.
A graphic-adventure that delves into why we pursue the wild outdoors
Boldly argued and teeming with memorable characters, this is Ferguson at his very best.
An expanded edition of one of the most original and provocative works of American history of the last decade, which documents the pioneering experiences and grit of American frontier women.