God's Beauty Parlor opens the Bible to the contested body of critical commentary on sex and sexuality known as queer theory and to masculinity studies. The author pursues the themes of homoeroticism, masculinity, beauty, and violence through such texts as the Song of Songs, the Gospels, the Letter to the Romans, and the Book of Revelation.
In The Bible after Babel John J. Collins considers the effect of the postmodern situation on biblical, primarily Old Testament, criticism over the last three decades.
"This is a book about submission and subversion, injustice and justice, heroes and villains." In Feminism, Queerness, Affect, and Romans: Under God?
Reprieve from suffering is ephemeral, as Solomon's joyful vision of Absolute Beauty ends at dawn. ... 6 Stephen D. Moore, God's Beauty Parlor: And Other Queer Spaces in and Around the Bible (Stanford: Stanford University Press, 2001), ...
Moore , Stephen D. 2001 God's Beauty Parlor : And Other Queer Spaces in and Around the Bible ( Stanford : Stanford University Press ) . Moose , George L. 1978 Toward the Final Solution : 160 Postcolonial Biblical Criticism.
Moore,God's BeautyParlor, 181–82. ... including themore recentreturn to a Victorian ideal of “muscular Christianity” with images of Jesus as a “man's man” to assuage some of this ambient gender discomfort (God's Beauty Parlor,105–8).
He has also set eternity in the hearts of men; yet they cannot fathom what God has done from beginning to end. Ecclesiastes 3:11 Welcome to God's Beauty Parlor If I offered you an all expense paid visit to an exclusive salon would you ...
An account of the story of the New Testament's arch-villain and his history over the past 2000 years in which Gubar links Christian anti-Semitism with Christianity's attempt to grapple with transcendent evil.
Barton's impulses are recounted and analyzed in Stephen Moore's God's Beauty Parlor and Other Queer Spaces in and around the Bible (Stanford University Press, 2001), 105–107. 14. Worry over the effeminacy of Christ in Protestant ...
See S.D. Moore, 'The Song of Songs in the History of Sexuality', in God's Beauty Parlor and Other Queer Spaces in and around the Bible, Stanford CA: Stanford University Press, 2001, pp. 21–89, 212–39: p. 74.
The gods, of course, were beautiful; and people of aristocratic birth or upper-class origins were expected to manifest their proximity to the ... Sheffield: Sheffield Academic Press, 2004), 212–43; cited by Moore, God's Beauty Parlor.