Vernacular Modernism advocates a rethinking of the importance of the vernacular as part of the modernist discourse of place, from art to literature, from architectural to social practice.
From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism—one that ...
... Modernist studies has already begun this shift, looking at Pacific rim modernisms, queer modernisms, and postcolonial modernisms, which all have revealed different geographies and habits of language use. What might still emerge out of ...
Architectural historians, aficionados of modernist architecture, and anyone interested in Vietnamese culture will find that this book is a positive story about Vietnamese aspirations for independence and the value of modernist architecture ...
The essays trace the vernacular in some of modernity's most paradigmatic sites-both real and imagined.
Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s.
This book looks at the influence of jazz on the development of African American modernist literature over the 20th century, with a particular attention to the social and aesthetic significance of stylistic changes in the music.
Diesel locomotive, by Walter Gropius, for the Prussian state railways, 1913, from: Die Kunst in Industrie und Handel, Jahrbuch des Deutschen ... Reproduced by kind permission of the Architekten- und Ingenieur-Verein zu Berlin (AIV).
More broadly, the book reveals how the language of modernist poetry was shaped by the incompletely globalized nature of a world in which the nation-state continued to be a primary mediator of cultural and political identity, even as its ...
... Yugoslav participation at EXPO.32 Architectural Review ranked it among the “six outstanding pavilions” at EXPO,33 and the Belgian press described it as a “palace in ... Vjenceslav Richter, Pavilion ofYugoslavia at EXPO '58, Brussels,. 48.
the unconscious parts of the nervous system ̄ (Simon 37). Moreover, the more pronounced the movement, the more intense the spectator«s internal repetition of it. This theory continued to hold sway in the popular imagination in the early ...