Depictions of Asian American men as effeminate or asexual pervade popular movies. Hollywood has made clear that Asian American men lack the qualities inherent to the heroic heterosexual male. This restricting, circumscribed vision of masculinity—a straitjacketing, according to author Celine Parreñas Shimizu—aggravates Asian American male sexual problems both on and off screen. Straitjacket Sexualities: Unbinding Asian American Manhoods in the Movies looks to cinematic history to reveal the dynamic ways Asian American men, from Bruce Lee to Long Duk Dong, create and claim a variety of masculinities. Representations of love, romance, desire, and lovemaking show how Asian American men fashion manhoods that negotiate the dynamics of self and other, expanding our ideas of sexuality. The unique ways in which Asian American men express intimacy is powerfully represented onscreen, offering distinct portraits of individuals struggling with group identities. Rejecting "macho" men, these movies stake Asian American manhood on the notion of caring for, rather than dominating, others. Straitjacket Sexualities identifies a number of moments in the movies wherein masculinity is figured anew. By looking at intimate relations on screen, power as sexual prowess and brute masculinity is redefined, giving primacy to the diverse ways Asian American men experience complex, ambiguous, and ambivalent genders and sexualities.
To recognize our culpability in the denigration of others unleashes the power of cinema. The unbearability of stories we don't want to watch and don't want to feel must be born. Film, Sex, Race, Transnationalism, Ethics"--
Exploring the diversity of gender and sexual orientation identities in an online sample of transgender individuals. ... Binghamton, NY: Haworth Clinical Practice Press. ... Positive body image in the early years: A practical guide.
to objects of culture that might be deemed problematic.18 Not all queer attachments are rooted in the ephemera of liberation, but queerness may indeed alchemically perform a transformation. Or, it may choose not to and instead revel in ...
In Quartet (2012, Dustin Hoffman), central character and former opera diva Cissy speculates about who first said, “Old age ain't no place for sissies.” She remembers the phrase despite experiencing early symptoms of dementia because it ...
I can't help but wonder what Trayvon must have thought as he was confronted for no reason by a White guy with a gun, ... In 1857 Justice Roger Taney infamously declared in the Dred Scott case that a Black man “had no rights which the ...
1. On Mickey Spillane's early career in the “slicks,” “pulps,” and comic books (“SubMariner, the Human Torch, Blue Bolt, Captain America,” etc.), see Mickey Spillane, “Mickey Spillane in His Own Words,” in Max Allan Collins and James L.
The study of Asian American religions as a subfield is situated “betwixt and between” Asian American studies and ... of Asian American Christianity and Timothy Tseng and Viji Nakka-Cammauf, eds., Asian American Christianity: A Reader ...
The volume also provides study questions and recommended supplementary readings and documentary films. This critical text offers a broad overview of Asian American studies and the current state of Asian America.
Growing up as LGBT, so different, in a culture that has treated us the way I laid out in Chapter 2, bearing the brunt of the HIV/AIDS epidemic, is so emotionally traumatic that our minds can't deal with it.
A View from the Bottom offers a major critical reassessment of male effeminacy and its racialization in visual culture.