Swedish director Ingmar Bergman, born in 1918, is recognized as one of the great geniuses of the cinema. He is also one of the most prolific, with more than fifty titles to his credit, including The Seventh Seal (1957), Persona (1966), Cries and Whispers (1972), and Fanny and Alexander (1982). Even now Bergman continues to work, having scripted The Best Intentions, the story of his parents' courtship and marriage, which was voted Best Film at the 1992 Cannes Festival. The late Jean Renoir once observed that every film auteur tells and retells essentially one story: his own. In this pathbreaking study of all Bergman's films, Hubert I. Cohen vividly demonstrates how the great director is the quintessential auteur, driven from his earliest efforts by an "almost pathological narcissism: toward self-revelation. Drawing on the numerous interviews Bergman has granted as well as other biographical and critical sources, including the director's autobiography The Magic Lantern, Cohen shows us how Bergman's preoccupation with his own life is the wellspring of his art. Progressing chronologically through Bergman's oeuvre, he finds the films both the product of and commentary on their creator's childhood and youth, loves and beliefs. Cohen's study also observes Bergman's style and techniques, his signature narrative and visual devices. He shows us how Bergman the deliberate and consummate artist is always in control of Bergman the confessor. Character and plot, structure, motif, and pacing all come into play as Cohen blends his technical analysis with insight into Bergman's motivation, psychology, and artistic development. The result is a deepened understanding both of the films and theirextraordinary creator.
With Ginger Rogers , Adolphe Menjou , George Montgomery , Lynne Overman , Nigel Bruce , Phil Silvers , Sara Allgood , William Frawley , Spring Byington , Helene Reynolds , George Chandler , George Lessey , Iris Adrian , and Milton ...
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Brandon Scott ' s sage and savvy analysis of more than fifty recent popular American movies , from Dirty Harry to ... BERNARD BRANDON SCOTT is Darbeth Distinguished Professor of New Testament at Phillips Graduate Seminary , Tulsa ...
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The first half of the book focuses on understanding the elements of the film experience--and its associated consciousness--through the descriptive tools of phenomenology.
Looking at Movies: Buch
Lee's criticisms tap into widely documented histories of black representation within American popular cinema , which have seen white film - makers present black people in ways that are clearly derogatory and two - dimensional .
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...