Everyone knows the name Calamity Jane. Scores of dime novels and movie and TV Westerns have portrayed this original Wild West woman as an adventuresome, gun-toting hellion. Although Calamity Jane has probably been written about more than any other woman of the nineteenth-century American West, fiction and legend have largely obscured the facts of her life. This lively, concise, and exhaustively researched biography traces the real person from the Missouri farm where she was born in 1856 through the development of her notorious persona as a Wild West heroine. Before Calamity Jane became a legend, she was Martha Canary, orphaned when she was only eleven years old. From a young age she traveled fearlessly, worked with men, smoked, chewed tobacco, and drank. By the time she arrived in the boomtown of Deadwood, South Dakota, in 1876, she had become Calamity Jane, and the real Martha Canary had disappeared under a landslide of purple prose. Calamity became a hostess and dancer in Deadwood’s saloons and theaters. She imbibed heavily, and she might have been a prostitute, but she had other qualities, as well, including those of an angel of mercy who ministered to the sick and the down-and-out. Journalists and dime novelists couldn’t get enough of either version, nor, in the following century, could filmmakers. Sorting through the stories, veteran western historian Richard W. Etulain’s account begins with a biography that offers new information on Calamity’s several “husbands” (including one she legally married), her two children, and a woman who claimed to be the daughter of Wild Bill Hickok and Calamity, a story Etulain discredits. In the second half of the book, Etulain traces the stories that have shaped Calamity Jane’s reputation. Some Calamity portraits, he says, suggest that she aspired to a quiet life with a husband and family. As the 2004–2006 HBO series Deadwood makes clear, well more than a century after her first appearance as a heroine in the Deadwood Dick dime novels, Calamity Jane lives on—raunchy, unabashed, contradictory, and ambiguous as ever.
Evidently, Sarah Shull, his alleged mistress, lived in the original station buildings on the west side of the creek. James McCanles settled several miles away along the Little Blue River but moved farther east after his crops failed.
Meanwhile, in Deadwood, burial preparations had been left to the discretion of C. H. (Charlie) Robinson, the town mortician. He and his father, Henry, worked together in the mortuary. Years after the burial, Charlie recalled that the ...
Young, Hard Knocks, 169—70; McGillycuddy, MeGillyeuddy Agent, 25—27; Bennett, Old Deadwood Days, 234—35; and Du Fran, Low Down on Calamity jane, 1. 42. Young, Hard Knocks, 169—70. 43. Had she lived at Fort Laramie from 1862 to 1875, ...
... 82, 86 La Telle, J. H., 400 Laurel's Story: A Montana Heritage, 279 Lavery, Brian, 246 Lavery, David, 511 Lead (S.Dak.) Evening Call, 133, 135, 172 Lead, S.Dak., 133, 135 Le diable blanc: le roman de Calamity Jane (Dufour), 444 Lee, ...
Etulain, “Frontier Legend,” 178-179, places her in South Pass and Miner's Delight. On the two towns, see “Miner's Delight/Hamilton City”; and Wolle, 160-166. 45. On Esther Hobart Morris, see Scharff, Twenty Thousand Roads, 88-89; Gray, ...
J. Leonard Jennewein Collection, Dakota Wesleyan University Archives, Mitchell, South Dakota. 3. Calamnity (i.e. Calamity) Peak. Near Custer City on B. & M. Ry. Title of the peak from the most noted character in the Black Hills.
Profiles the life and legends related to the frontierswoman known as Calamity Jane.
Doris Faber sorts out fact from fiction to tell the true story of a remarkable American woman who was part of the legend that celebrated the freedom and adventure of the West.
The Wild West was home to many men and women looking for adventure and a new life.
Wild Bill Hickok & Calamity Jane chronicle the colorful lives of the two Western legends and examines their relationship and legacies.