Remembered today as an early cartographer and prolific religious artist, don Bernardo de Miera y Pacheco (1713–1785) engaged during his lifetime in a surprising array of other pursuits: engineer and militia captain on Indian campaigns, district officer, merchant, debt collector, metallurgist, luckless silver miner, presidial soldier, dam builder, and rancher. This long-overdue, richly illustrated biography recounts Miera’s complex life in cinematic detail, from his birth in Cantabria, Spain, to his sudden and unexplained appearance at Janos, Chihuahua, and his death in Santa Fe at age seventy-one. In Miera y Pacheco, John L. Kessell explores each aspect of this Renaissance man’s life in the colony. Beginning with his marriage to the young descendant of a once-prominent New Mexican family, we see Miera transformed by his varied experiences into the quintessential Hispanic New Mexican. As he traveled to every corner of the colony and beyond, Miera gathered not only geographical, social, and political data but also invaluable information about the Southwest’s indigenous peoples. At the same time, Miera the artist was carving and painting statues and panels of the saints for the altar screens of the colony. Miera’s most ambitious surviving map resulted from his five-month ordeal as cartographer on the Domínguez-Escalante expedition to the Great Basin in 1776. Two years later, with the arrival of famed Juan Bautista de Anza as governor of New Mexico, Miera became a trusted member of Anza’s inner circle, advising him on civil, military, and Indian affairs. Miera’s maps and his religious art, represented here, have long been considered essential to the cultural history of colonial New Mexico. Now Kessell’s biography tells the rest of the story. Anyone with an interest in southwestern history, colonial New Mexico, or New Spain will welcome this study of Miera y Pacheco’s eventful life and times.
This lavishly illustrated book explores the aesthetic and cultural impact of New Mexico art from the 1880s to the present.
Forjado en la frontera , de John Kessell y Javier Torre Aguado, nos asoma, a través de la extraordinaria vida de este cántabro originario del valle de Carriedo, a la experiencia hispánica en la América del siglo XVIII, en un territorio ...
This book places the man and the map in historical context, reminding readers of the enduring significance of Miera y Pacheco.
... Miera y Pacheco , order , Santa Ana , 5 Jul . 1763 ; Bernardo Miera y Pacheco , naming of appraisers , Santa Ana , 6 Jul . 1763 ; Bernardo Miera y Pacheco , record of payment made by Santa Ana , 7 Jul . 1763 ; Bernardo Miera y Pacheco ...
This new perspective on the colorful history of New Mexico includes the stories of many of the people who have spent their lives in the area from before the arrival of Europeans in the sixteenth century through the present day.
Recent attempts to recover the history of abstract expressionist artists in Los Angeles include Michael Duncan, L.A. Raw: Abject Expressionism in Los Angeles, 1945–1980, from Rico Lebrun to Paul McCarthy (Pasadena: Pasadena Museum of ...
Albuquerque : University of New Mexico Press , 1987 . Letters From the New World : Selected Correspondence of Don Diego de Vargas . Albuquerque : University of New Mexico Press , 1992 . The Missions of New Mexico Since 1776 .
Author Ray John de Aragâon brings to light the suffering brought to New Mexico by land barons, cattlemen and unscrupulous politicians and the effects still felt today.
... Miera y Pacheco did, but unsuccessfully. At this point Tomás Sena, blacksmith, made himself known and gave the governor a bid for the repair of the presidio cannon and for fifty lances made from the ... Miera y Pacheco, 1780. Oil and.
Anza then negotiated a peace treaty whereby the Comanches agreed to stop raiding, to engage in trade, and to help the Spaniards in their war against the Apaches. See Stanley Noyes's Los Comanches, chapter 7. 4.