By the end of the 1960s, the Hollywood West of Tom Mix, Randolph Scott, and even John Wayne was passé—or so the story goes. Many film historians and critics have argued that movies portraying a mythic American West gave way to revisionist films that influential filmmakers such as Sam Peckinpah and Robert Altman made as violent critiques of the Western’s “golden years.” Yet rumors surrounding the death of the Western have been greatly exaggerated, says film historian Andrew Patrick Nelson. Even as the Wild Bunch and John McCabe rode forth, John Wayne remained the Western’s number one box office draw. How, then, could there have been a revisionist reckoning at a time when the Duke was still in the saddle? In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers. Nelson considers a comprehensive filmography of releases from 1969 to 1980 in light of the visual tropes and narratives developed and reworked in the genre from the 1930s to the present. In so doing, he reveals the complexity of what is probably the most interesting period in Western movie history. His incisive reevaluations of such celebrated (or infamous) films as The Wild Bunch and Heaven’s Gate and examinations of dozens of forgotten and neglected Westerns, including the final films of John Wayne, demonstrate that there was more to the 1970s Western than simple revision. Instead, we see not only important connections between canonical and lesser-known films of the period, but also continuities between these and older Westerns. Nelson believes an ongoing, cyclical process of regeneration thus transcends established divisions in the genre’s history. Among the books currently challenging the prevailing “evolutionary” account of the Western, Still in the Saddle thoroughly revises our understanding of this exciting and misunderstood period in the Western’s history and adds innovatively and substantially to our knowledge of the genre as a whole.
Still in the Saddle
Kate Devine, an out-of-town member of the Saddle Club, has invited Carole, Lisa, and Stevie out West to visit her family's dude ranch.
They’re having a perfect trip–and what better way to enjoy it than with a bareback midnight trail ride to watch a meteor shower? On the trail ride, Carole falls seriously ill, and Lisa has to leave her to get help.
I slowly placed my left foot into the western saddle stirrup and gently got onto Hawks back. We sat still for many minutes until I could hear him take a deep breath and relax. Then I patted him gently on the neck and rump to secure our ...
The Western is the most important genre in American cinema. Though the production of films may have declined since the 1960s, the Western's influence has spread worldwide, and far beyond...
Dr. Joyce Harman, veterinarian and respected saddle-fitting expert, states that 75 percent of horses with such issues are simply reacting to pain caused by ill-fitting saddles.
Lisa love being a member of the Saddle Club.
Your hands should not feel that the saddle is pinching. If the tack shop agrees to let you girth the saddle, do so, tighten the girth, and then slide your hands under the front of the saddle again. If there is still no pinching, ...
KING OF THE WESTERN SADDLE 01111 Jono full or Spanish rig single ring hung underneath. Western Saddles dozens of specialized ... This atelier system still exists in large saddle shops throughout Mexico , the United States , and Canada .
If the stirrups seem to evade your feet or standing up is an effort, look for another saddle. ... A saddle may appear to fit a horse when they are standing still, but if does not allow for the changes necessary for them to exert ...