Human rights activist and historian Roxanne Dunbar-Ortiz has been described as “a force of nature on the page and off.” That force is fully present in Blood on the Border, the third in her acclaimed series of memoirs. Seamlessly blending the personal and the political, Blood on the Border is Dunbar-Ortiz’s firsthand account of the decade-long dirty war pursued by the Contras and the United States against the people of Nicaragua. With the 1981 bombing of a Nicaraguan plane in Mexico City—a plane Dunbar-Ortiz herself would have been on if not for a delay—the US-backed Contras (short for los contrarrevolucionarios) launched a major offensive against Nicaragua’s Sandinista regime, which the Reagan administration labeled as communist. While her rich political analysis of the US-Nicaraguan relationship bears the mark of a trained historian, Dunbar-Ortiz also writes from her perspective as an intrepid activist who spent months at a time throughout the 1980s in the war-torn country, especially in the remote northeastern region, where the Indigenous Miskitu people were relentlessly assailed and nearly wiped out by CIA-trained Contra mercenaries. She makes painfully clear the connections between what many US Americans today remember only vaguely as the Iran-Contra “affair” and ongoing US aggression in the Americas, the Middle East, and around the world—connections made even more explicit in a new afterword written for this edition. A compelling, important, and sobering story on its own, Blood on the Border offers a deeply informed, closely observed, and heartfelt view of history in the making.
Blood on the Border
Collin Smith notices that the men look like they are ready for battle. The terrorists are wearing their battle-dress uniform complete with a chest rig full of AK47 magazines and fragmentation grenades. The traditional head scarves the ...
Hart: Blood on the Border
Blood on the Border: The United States Army and the Mexican Irregulars
Red River. Montreal: John Lovell, 1871. Harmon, Alexandra. Indians in the Making: Ethnic Relations and Indian Identities Around Puget Sound. Berkeley: University of California Press, 1998. Harmon, Alexandra. “Lines in Sand: Shifting ...
Bad Blood is a stark and evocative account of this journey through fear and hatred, and a report on the ordinary life and legacy of history in a bleak and desolate landscape. -- Provided by publisher.
From acclaimed poet and prose-writer Alicia Gaspar de Alba, Desert Blood is a gripping thriller that ponders the effects of patriarchy, gender identity, border culture, transnationalism, and globalization on an international crisis.
By drawing on Anglo-American documents, A Blood Border leads the reader through the process by which the foibe killings became possible and tells the story of a modern territorial contest: two nations, one land.
Jason Wilson, “Leak from Neo-Nazi Site Could Identify Hundreds of Extremists Worldwide,” Guardian, November 7, 2019, www.theguardian.com/us-news/2019/nov/07/neo-nazi-site-iron-march-materials-leak. 98. Wilson, “Leak from Neo-Nazi Site.
Renegade 26: Blood on the Border