In 2005, the Denver Art Museum hosted a symposium in conjunction with the exhibition Tiwanaku: Ancestors of the Inca. An international array of scholars of Tiwanaku, Wari, and Inca art and archaeology presented results of the latest research conducted in Bolivia, Chile, and Peru. This copiously illustrated volume, edited by Margaret Young-Sánchez of the Denver Art Museum, presents revised and amplified papers from the symposium.
Essays by archaeologists Alexei Vranich and Leonardo Benitez (both University of Pennsylvania) describe what their excavation and astronomical research have yielded at the site of Tiwanaku, in Bolivia. Georgia DeHavenon (Brooklyn Museum) surveys historical research and publications on Tiwanaku and its monuments. Christiane Clados (Free University of Berlin) and William Conklin (Field Museum, Textile Museum) each analyze styles and modes of representation in Tiwanaku art and arrive at provocative conclusions. R. Tom Zuidema reconsiders Tiwanaku iconography and sculptural composition, discerning complex calendrical information. Through a detailed analysis of Tiwanaku iconography, Krysztof Makowski (Pontifical Catholic University of Peru) examines the nature of Tiwanaku religious thought. Archaeologists and iconographers William Isbell (State University of New York, Binghamton) and Patricia Knobloch (Institute of Andean Studies) thoroughly discuss what they term the Southern Andean Interaction Sphere, which encompasses Tiwanaku, Wari, Pucara, and Atacama traditions. P. Ryan Williams (Field Museum) discusses the issue of identity and its expression at the territorial interface between the Tiwanaku and Wari states. Wari tunics and their imagery are examined by Susan Bergh (Cleveland Museum of Art), yielding evidence of ranking. And John Hoopes (University of Kansas) discusses both archaeological and ethnohistoric evidence of links between ancient Tiwanaku and the later Inca.
Bringing together current research on Pucara, Tiwanaku, Wari, and Inca art and archaeology, this volume will be an important resource for scholars and enthusiasts of ancient South America.
The first major synthesis exploring Tiwanaku civilization in its geographical and cultural setting.
This book, the first published history of the Tiwanakan peoples from their origins to their present survival, is a feat of scholarly and archaeological detection undertaken and led by the author.
This volume contains twelve papers from senior scholars, whose contributions discuss subjects from the farthest points of the southern Andes, where the iconic artifacts of Tiwanaku appear as offerings to the departed, to the heralded ruins ...
The Archaeology of Tiwanaku: The Myths, History, and Science of an Ancient Andean Civilization
Janusek explores the origins, development, and collapse of this ancient state through the lenses of social identities--gender, ethnicity, occupation, for example--and power relations.
The Enigma Of Tiwanaku And Puma Punku: A Visitor's Guide
Skillful modern archaeology has allowed people to look behind the facade and see, for the first time in many, many centuries, some of the secrets behind it. The story is fascinating, complex, and thoroughly human.
Though academics insist that both were the work of the bronze age Tiwanaku, there are clear indications that the original builders used very advanced high technologies in their construction.There is also a lot of evidence that Puma Punku ...
Today, through the diligent work of scholars from many countries, the disciplines of archaeology, art history, comparative ethnography and other modern historical sciences have begun to peel back the story of Puma Punku, and historians can ...
"For nearly a millennium (ca. A.D. 100-1000), the pre-Hispanic, pre-Inca state of Tiwanaku was one of the great centers of native Andean civilization, controlling a vast territory that would today...