Tina Modotti, known to a few as the beautiful Italian actress in Erich von Stroheim’s silent film Greed, was also a dedicated political activist and photographer whose best work has a powerful dignity and integrity. She lived with Edward Weston in post-revolutionary Mexico in the 1920s. During the Spanish Civil war in the 1930s she was a nurse in Madrid and on various fronts. In Spain she knew Antonio Machado and Pablo Neruda, who wrote a poem about her after her death in Mexico in 1942. Margaret Gibson’s Memories of the Future is based on Modotti’s vivid but enigmatic life. Drawn from daybooks that Gibson imagines Modotti to have kept at the end of her life in Mexico City, these poems give us the reflections of a woman whose intensity and vision, evident in her own photographs, are matched by the depth and breadth of her experience and personal transformation in times of deep social and political upheaval. If we could look into the future, would we go there? In the spiral of hunger’s discontent, would we go? Somehow we go. New societies are born much wider than our minds. And if for a moment we doubt, our bodies remember. They believe. We make our bodies available to death, and therefore live. It is the hero’s way— every woman knows it. In their attention to beauty and sensuality, light and detail, these poems capture the life of the photographer. In their unhesitating confrontation with pain and loss, they reveal the harsh realities of revolutionary life. Memories of the Future skillfully unfolds the political and artistic consciousness of a woman of sensibility and strong beliefs. It is a major new effort from one of America’s best young poets.
According to P.M.H. Atwater, one of the foremost investigators into near-death experiences, future memory allows people to "live" life in advance and remember the experience in detail when something triggers that memory.
Along the way, he will see the heroism in his bloodline. He will witness the story of the first nation to defeat Genghis Khan's army.
Written in Soviet Moscow in the 1920s—but considered too subversive even to show to a publisher—the seven tales included here attest to Sigizmund Krzhizhanovsky’s boundless imagination, black humor, and breathtaking irony: a man loses ...
Shimmering with mystery and enigma. The story of Carol, a musician who finds herself haunted by another life in the future. She has never needed anything but her talent until an injury stops her career and she confronts an empty existence.
Mainly focusing on the transition in national identity experienced during the last years of Lee Teng-hui's tenure as President of Taiwan, ten essays, presented by Corcuff (Asian politics and Chinese language, U. de la Rochelle, France) ...
One helpful sociological model explaining the global diffusion of norms and organizational forms is the world polity approach, which draws on neo-institutionalism and is championed by John Meyer and his collaborators (Meyer et al.
Climatic and other natural extremes in the European territory of Russia in the late Maunder Minimum (1675-1715). in: Climatic Trends and Anomalies in Europe 1675-1715, ed. Burkhard Frenzel, Special Issue: ESF Project.
27 H. Marcuse, One-Dimensional Man: Studies in the Ideology of Advan ced Industrial Society (New York: Routledge Classics, 1964), 3, 14, e mphasis in original. Also Adorno et al., The Authoritarian Personality.
New York Times Book Review Best Poetry of 2018 “Like a cup of tea for the weary.” —Washington Post In this Zen-infused and meditative collection, critically acclaimed poet Elizabeth Spires reflects on memory, mortality, and the ...
Little do they know that these memories will be all that remains of their life from pre-war Europe. This is the story of the journey of the three students and what will become their future memories.