With close readings of more than twenty novels by writers including Ernest Gaines, Toni Morrison, Charles Johnson, Gloria Naylor, and John Edgar Wideman, Keith Byerman examines the trend among African American novelists of the late twentieth century to write about black history rather than about their own present. Employing cultural criticism and trauma theory, Byerman frames these works as survivor narratives that rewrite the grand American narrative of individual achievement and the march of democracy.
The choice to write historical narratives, he says, must be understood historically. These writers earned widespread recognition for their writing in the 1980s, a period of African American commercial success, as well as the economic decline of the black working class and an increase in black-on-black crime. Byerman contends that a shared experience of suffering joins African American individuals in a group identity, and writing about the past serves as an act of resistance against essentialist ideas of black experience shaping the cultural discourse of the present.
Byerman demonstrates that these novels disrupt the temptation in American society to engage history only to limit its significance or to crown successful individuals while forgetting the victims.
Give Us Each Day: The Diary
The hero , John Pearson , is a realist living in an environment haunted still by the ghosts of Harris , Dixon , and Page . It is one in which the images created long ago are still adhered to by Blacks and whites alike and the dramatic ...
It is Bledsoe and Ras as well as the southern whites at the smoker and the Brotherhood in New York . This enemy is best fought by the mind , by its understanding that the definition of the " world ” is “ possibility ” ( 563 ) .
women are also writing in a tradition , until recently almost completely neglected , which includes novelists like Zora Neale Hurston and Ann Petry . The point of view from which a novel is written has always been an important ...
The Paul Laurence Dunbar Reader: A Selection of the Best of Paul Laurence Dunbar's Poetry and Prose, Including Writings Never...
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 sciousness and Boundaries in Toni Morrison's Paradise,” in Reading under the Sign of Nature: New Essays in Ecocriticism, ed.
Harlem symbolized the urbanization of black America in the 1920s and 1930s. Home to the largest concentration of African Americans who settled outside the South, it spawned the literary and...
Frames of Mind: Constraints on the Common-sense Conception of the Mental
The author discusses the writings of Richard Allen, Solomon Bayley, Henry Bibb, Henry Box Brown, John Brown, Leonard Black, William Wells Brown, Lewis Clarke, William Craft, Frederick Douglass, Martin R....
The secret is out: Men have issues too! Derrick has a thriving business, good looks, and charisma to spare, but his success seems empty without a special lady to...