The U.S. invasion of Haiti in July 1915 marked the start of a military occupation that lasted for nineteen years--and fed an American fascination with Haiti that flourished even longer. Exploring the cultural dimensions of U.S. contact with Haiti during the occupation and its aftermath, Mary Renda shows that what Americans thought and wrote about Haiti during those years contributed in crucial and unexpected ways to an emerging culture of U.S. imperialism. At the heart of this emerging culture, Renda argues, was American paternalism, which saw Haitians as wards of the United States. She explores the ways in which diverse Americans--including activists, intellectuals, artists, missionaries, marines, and politicians--responded to paternalist constructs, shaping new versions of American culture along the way. Her analysis draws on a rich record of U.S. discourses on Haiti, including the writings of policymakers; the diaries, letters, songs, and memoirs of marines stationed in Haiti; and literary works by such writers as Eugene O'Neill, James Weldon Johnson, Langston Hughes, and Zora Neale Hurston. Pathbreaking and provocative, Taking Haiti illuminates the complex interplay between culture and acts of violence in the making of the American empire.
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The socio-historical explanation of Haiti predicament shows a nation plagued by a monstrous psychological repression stemming from its colonial heritage to such a par that the commotions of its political reality seem to be equal to symptoms ...
Facing death, enduring false accusations, and becoming a prisoner himself, missionary Terry Snow moved out in faith and boldness to share the gospel with the town of St. Marc in Haiti.
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In this path-breaking book, Jeb Sprague investigates the dangerous world of right-wing paramilitarism in Haiti and its role in undermining the democratic aspirations of the Haitian people.
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... by the Haitian historian Joseph Saint-rémy in 1853, Louverture paints himself as the loyal, but unjustly dishonored son of 'la mère-patrie' (88), who had been betrayed by his metaphorical brother, Leclerc, all because of his 'color.
Larimer Mellon was the youngest son of Paul Mellon, renowned Pittsburgh financier, and seemed destined for a life of high finance and high society. Instead, he went to med-school and,...
A Haitian American girl finds connection to generations of family lore in this story of identity, heart and home.
Translator's Note: My translation. 48 Duchet, Antropología e historia en el siglo de las luces, 141. 49 Buck-Morss, Hegel, Haiti, and Universal History. 50 Schüller, “From Liberalism to Racism,” 23–43. 51 See, for example, Arthur, ...