Morace analyzes the novels of Malcolm Bradbury and David Lodge together because they provide a dialogue of conflicting views, styles, and forms of the contemporary novel. This dialogue parallels the views of these two British novelists as critics. Beginning as realists, as novelists of manners, as writers of campus novels, Bradbury and Lodge explore the possibilities and the limitations of realistic writing. Bradbury and Lodge, however, are not only heirs of English literary tradition. Both are also literary critics with a keen interest in recent critical theories. Morace shows us how the debate between Bradbury and Lodge over the nature and purpose of fiction and criticism has found its way into their novels. The realistic conflicts between civilian and military, English and American, pre- and post-Vatican II values gradually give way to an exploration of the semiotics behind such conflicts. Morace finds Bradbury's and Lodge's works far more open-ended than the "doggedly indeterminate fictions" of many contemporary writers. Using Mikhail Bakhtin's theory of dialogism, he identifies the ways in which language and values simultaneously compete with and support one another in their novels. This first book-length study of Bradbury or Lodge deals with all of their novels, including Changing Places, How Far Can You Go?, and Small World by Lodge, as well as Bradbury's The History of Man and Rates of Exchange.
Review of Muriel Spark: The Biography, by Martin Stannard. New York Review of Books 19 Aug. 2010. “Prime Spark.” Review of The Abbess of Crewe, by Muriel Spark. Tablet 7 Dec. 1974: 1185. “Putting Down Good Words.
New York : Harcourt , Brace , Jovanovich , 1979 . Seven Plays by Sean O'Casey : A Students ' Edition . Ed . Ronald Ayling . London : Macmillan , 1985 . Essays and Miscellaneous Windfalls : Stories , Poems , and Plays .
From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and ...
... literary form, the best set of modifications to the conventions of the realist novel, to dramatize the crisis of liberalism. In other words, as Robert Morace argues in The Dialogic Novels of Malcolm Bradbury and David Lodge, they ...
The book focuses on the fiction that has emerged since the late 1970s, roughly since the start of the Thatcher era, and the resulting transformation of such key areas of literary practice as publishing, bookselling, book reviewing, and ...
... 115 , 116 Wilcox , Michael 334 Wilde , Oscar 274 , 343 , 354 , 523 , 564 Wilkinson , John 234 Willett , John 295 , 299 Williams , Heathcote 159 , 374 , 383 Williams , Hugo 173 , 175 , 177 Williams , Nigel 382 Williams , Raymond 17 ...
The Novel from Structuralism to Postmodernism M. Greaney. Genette's laws, the novel itself is reluctant to play into the hands of structuralist analysis. By discoursing in theoretical terms on its own characters, How Far Can You Go?
The communal cat, Stripey, is notlarge enough to chase fullgrown rats—they chase her instead. Woody, apainter of marine subjects whosecommissions havedried up,lives on a boatthatis becomingone with theseaasitslowly sinks—and as itsowner ...
... James, 173 Gitlin, Todd, 183 Goggans, Thomas H", 180 Gold, Herbert, 173 Goldberg, S" L", 158 goodness, 60-1, 63, 65, ... 138 Jay, Gregory, 136, 142 Johnson, Greg, 69 Johnson, Lisa, 169 Johnson, Samuel, 10 Johnston, Susan, 186 Jones, ...
The View from Coyaba (1985) offers a magisterial sweep across Jamaica, the American South, Liberia, and Uganda to depict struggles for black autonomy. Abrahams's most recent autobiography, The Black Experience in the Twentieth Century ...