At a time when the study of composition seems especially prone to excess and imbalance—heading toward what could be a tyrannizing theoretical order—here is a call back to the center, to the concreteness of the teaching moment itself. In a festschrift to honor William F. Irmscher, director for twenty-three years of the University of Washington composition program, the editors outline the need for a "balancing act" among theories and between theory and teaching. This balancing act is a tribute to Irmscher, who counseled compromise and the resolution of conflicting viewpoints. Irmscher could reconcile new ideas with the practical struggles of student writers and composition teachers. As a theorist, Irmscher was one of the first to bring theoretical rigor to composition studies, yet he always strove to express the issues—however complex—in clear and fluid language. The two parts of the text invoke the balancing act between the concerns of the students and the concerns of the teachers. The first part, "Identity and Community," presents six essays about helping students explore their identities as writers and the effectiveness of those identities within communities of writers. The second part, "Intuition and Institution," includes five essays focusing on the dynamics of teachers’ decision making about theory and pedagogy within their own institutional communities. The last chapter examines Irmscher’s life and writings. This celebration of William F. Irmscher is a celebration of the complexity and the humanness of the act of composing and of the student writers themselves, who are at the heart of this whole enterprise.
In this book, Daniel shares the untold stories behind Cirques biggest shows, including Beatles Love, Michael Jackson One, the aquatic marvel, O, and many more.
Balancing Acts presents an iterative, democratic, and inclusive approach to social change that is suited to the complexities of the twenty-first century.
At the start of rehearsals, Penny Downie, who played the Chorus, ran with the idea that she too could reporton the action as if embedded with Henry's troops, but we soon realised that the Chorus, who introduces each of the play's five ...
In Balancing Acts, photographer Lucy Gray takes readers on an unforgettable fourteen-year journey with these ballerinas, capturing their remarkable grit and determination.
Two mice have fun playing on a teeter-totter, but as more and larger friends join them, it becomes increasingly difficult to stay balanced.
This book is essential reading for educators, scholars, and, of course, students."—Margaret M. Chin, author of Sewing Women: Immigrants and the New York City Garment Industry "This provocative and timely book offers a refreshing ...
Draws on the experiences of four scholars at major universities who have successfully engaged in 'balancing acts' through which they have been educational innovators in their classrooms, disciplines, and institutions...
Covering a wide range of topics, from promoting lifelong learning to combatting organizational entropy, Balancing Act is the story of a personal journey towards continuous self improvement.
Props: A blackboard or whiteboard; chalk or pens Instructions: The circus includes many different jobs. Make a list of as many different circusjobs as you can think of on the board. Briefly talk about each job—from clown to horse ...
In 25 richly diverse essays, the author of Heart's Desire writes of landscapes and emotions, memories and aspirations, with delicacy, humor, and extraordinary perception. "Hoagland is a crank in the...