This superb study by Michael Bliss and Christina Banks is the first book-length work to critically address the films of Jonathan Demme, from his first major work in 1974, Caged Heat, to his most recent, Philadelphia. In tracing the themes and techniques that Demme has developed and perfected through two decades, Bliss and Banks point out the distinctive qualities of a Demme film: his sensitive and sympathetic treatment of characters; his use of wry humor, which aids his audience in appreciating human shortcomings; and his sense of joy in the filmmaking process. A graduate of what might be called the Roger Corman School of Filmmaking, Demme quickly managed to outgrow his exploitation film background and establish himself as a director whose concerns for humanistic issues, use of the newest and finest strains in contemporary music, and fascination with darker subjects in the midst of an often comic vision mark him as an impressive cinematic force. Demme is more interested in interpersonal relations and feelings than in deeds, an attitude complemented by his focus on issues of sexual equality and justice. Allowing for the kinds of fictional conclusions involving renewal and hope that exemplify the true mythos of comedy, Demme's films exemplify a statement that occurs in both Something Wild and Married to the Mob: "What goes around comes around".
'I was a Flawed Modernist': Collected Writings by Paul Sharits, Collected Stories about Paul Sharits
May 28 , 1955 - Toronto , Ontario , Canada Business : Sullivan Films , 16 Clarence Square , Toronto , Ontario M5V 1H1 , Canada , 416 / 597-0029 Agent : William Morris Agency - Beverly Hills , 310 / 274-7451 KRIEGHOFF ( TF ) Sullivan ...
I am sure this book will be a great success and will help people to understand how films are made, particularly when the result is clearly the work of a highly skilled hand.
FILMS DIRECTED BY LINDSAY ANDERSON 1948 1949 1952 Meet the Pioneers . 33 mins . Richard Sutcliffe Ltd. PRODUCERS : Desmond and Lois Sutcliffe . PHOTOGRAPHY : John Jones and Edward Brendon . EDITORS : Lindsay Anderson and Edward Brendon ...
FORM : And , as far as I know , your house was designed by Lloyd Wright , son of Frank Lloyd Wright . Correct . Lloyd Wright designed the house that I live in , the Beverly Johnson House , in the sixties . Lloyd Wright's son , Eric ...
He was a year older than me and later married my friend Jayne Center. When I was in seventh grade, my sister gave me a diary for Christmas and I filled pages with concern and speculation about being asked to the Valentine's Day dance.
Production manager : Glenn Cook . Music director : Edward J. Kay . Cast : Ralph Morgan , Kane Richmond , Teala Loring , Marjorie Hoshelle , George Meeker , Jayne Hazard , Dewey Robinson , Alan Foster 330 Filmography.
This is a detailed biography of Albert Capellani, affectionately nicknamed 'Cap' by the Americans.
In his discussion of Rear Window , Stam analyzes the Jefferies figure as analogous to the film's spectators : his desire is manifested as scopophilia , " looking " as the primary source of sexual pleasure . For Stam the focus of the ...
... The Neville Brothers ( “ Sister Rosa , " 1987 ) ; Les Frères Parent and The Neville Brothers ( “ Konbit , " 1988 ) ; The Feelies ( “ Away , " 1988 ) ; KRS - One ( “ Heal , " 1990 ) ; Steve Earle ( “ Rich Man's War , " 2004 ) .