When an interviewer asked Bernard Shaw whether, "speaking personally", he would prefer to see the English and Americans "become drama and variety fans as of old, rather than movie fans", Shaw replied, "Speaking personally, I should prefer to see them become Shaw fans". With his customary wit and quite often with remarkable prescience, Shaw began a dialogue on cinema that ran almost from the infancy of the industry in 1908 until his death in 1950. Bernard F. Dukore presents the first collection of Bernard Shaw's writings and oral statements about cinema. Of the more than one hundred comments Dukore has selected, fifty-nine -- more than half -- are new to today's readers. Twelve are previously unpublished, one is published in full for the first time, and forty-six appear in a collected edition of Shaw's writings for the first time since their publication in newspapers and magazines. Very early in the life of cinema, Shaw perceived that as an invention, movies would be more momentous than the printing press because they appealed to the illiterate as well as the literate, to the manual laborer at the end of an exhausting day as well as to the person with more leisure. He predicted that cinema would form people's minds and shape their conduct. He recognized that cinema's "colossal proportions make mediocrity compulsory" by leveling art and life down to the blandest morality and to the lowest common denominator of potential audiences throughout the world. By 1908, Shaw was familiar with experiments synchronizing movies and sound. When talkies arrived, he discerned that they would precipitate major changes in acting, writing, and economics. He also saw how they would affect live theatre:"The theatre may survive as a place where people are taught to act", he said in 1930, "but apart from that there will be nothing but 'talkies' soon". At that time, few people in the theatrical profession were making such prophecies, at least not in public.
Its first production was Shaw's You Never Can Tell, and in 1902, it performed Mrs Warren's Profession and The Marrying of Anne Leete, the first play by Granville Barker (also called Harley Granville-Barker).
The second volume in the series of Shaw's correspondence contains 152 letters between him and fellow Victorian British writer and Fabian Club member Wells, exchanged between 1901 and 1946.
While Shaw's drama is frequently studied, his drama in the context of his own theater practice is not. This important book should interest scholars as well as theater professionals and lovers of the dramatic arts.
All the correspondence selected for this volume - most of it hitherto unpublished - relates to Bernard Shaw's theatre dealings and theatrical interest, at the same time attesting to the 'histrionic instinct' and 'theatrified imagination' ...
This volume of The Selected Correspondence of Bernard Shaw focuses on film: a behind-the-scenes view of the film industry's day-to-day workings from the unique perspectives of Shaw and his favourite director, Gabriel Pascal.
This collection of 140 annotated letters, 74 of which have never been published, documents the subsequent friendship and collaboration shared by Shaw, Webb, and Webb's wife Beatrice, throughout their lives. v. 6.
This book analyzes the interaction of crimes, punishments, and Bernard Shaw in the nineteenth and twentieth centuries.
Conversations recorded in the 1920's: Shaw's views on the theater, politics, cinema, history, literature, & the public. Illus.
This collection sets Shaw's life and achievements in context, with forty-two scholarly essays devoted to subjects that interested him and defined his work.
It is the story of Henry Higgins, London linguist and professor of phonetics, who bet with an officer friend, Colonel Pickering, which he could transform in no time, an uneducated little florist, Eliza Doolittle, with a heavy suburban ...