Presenting the DJ as an example of the digital griot--a high-tech storyteller--this book shows how African American storytelling traditions and their digital manifestations can help scholars and teachers shape composition studies, linking oral, print, and digital production in ways that centralize African American discursive practices as part of a multicultural set of ideas and pedagogical commitments.
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Bailey did not view Perry's usage as a negative development, but she did have reservations: We see allies getting a lot of points for using terminology that marginalized communities have been using for a while, like when men talk about ...
Langston Hughes' (1998) classic essay“The Negro Artist and the Racial Mountain” isaperfect example of this attempt to redesign the nation.Those some havecriticized both the Black Arts Movement andthe Harlem Renaissance as partialor ...
... griot and the DJ in his 2011 book, Digital Griots: African American Rhetoric in a Multimedia Age. The griot has survived the middle passage, slavery, and centuries of American apartheid and has diffused into many different spaces and ...
... digital griots, poets, historians, public theologians, diviners, and healers. All are in some way runagate interpreters engaged in discursive practices and the dynamics of power. As Adam Banks points out in his writings of African ...
... media for the online Global Media Journal, Challenging Images of Women in the Media: Reinventing Women's Lives (2012), Queer Media Images: LGBT Perspectives (with Theresa Carilli, 2013), and Locating Queerness in the Media (2017).
They retain the term “public sphere” minus the Habermasian meaning of “formally elegant, inherently rational, self-completing and self-regulating entities” (see Habermas 4, quoted in Brouwer and Asen 2010, 4). Indeed, their version of ...
... writing spaces, which are themselves shaped by what Thomas Rickert calls “ambient” rhetoric, the ubiquitous influence of nonhuman actors, ranging from corroding wormholes to cracking bindings to chatting bots. For Rickert, ambience ...
The second edition introduces remixing as an additional signature move and is updated with new attention to digital writing, which both extends and rethinks the ideas of earlier chapters.
This sourcebook helps composition instructors consider what it means to teach visual rhetoric in the context of the multimedia classroom.