In Lighting the Shakespearean Stage, 1567–1642,R. B. Graves examines the lighting of early modern English drama from both historical and aesthetic perspectives. He traces the contrasting traditions of sunlit amphitheaters and candlelit hall playhouses, describes the different lighting techniques, and estimates the effect of these techniques both indoors and outdoors. Graves discusses the importance of stage lighting in determining the dramatic effect, even in cases where the manipulation of light was not under the direct control of the theater artists. He devotes a chapter to the early modern lighting equipment available to English Renaissance actors and surveys theatrical lighting before the construction of permanent playhouses in London. Elizabethan stage lighting, he argues, drew on both classical and medieval precedents.
... Stephen 7 Pollard, Thomas 125, 127 Poor Man's Comfort, The 295 Pope, Thomas 49, 50, 52, 54,61, 63 population of London 13, 260 Porter, Endymion 96 Porter, Henry 297 Porter's Hall playhouse 145, 149, 200, 228 Prince Charles's Men 74, ...
This is the first complete history of the theater company in which Shakespeare acted and which staged all his plays. Created in 1594, the company became the King's Men in 1603 and ran for forty-eight years up to the closure of 1642.
Graves , Robert B. ( 1999 ) Lighting the Shakespearean Stage , 1567-1642 , Carbondale , IL : Southern Illinois University Press . Gurr , Andrew ( 1996 ) Playgoing in Shakespeare's London , 2nd edition , Cambridge : Cambridge University ...
Chronicle from Aldate: Life and Death in Shakespeare's London. New Haven: Yale University Press, 1971. Graves, R. B. Lighting the Shakespearean Stage, 1567—1642. Carbondale: Southern Illinois University Press, 1999. Greenfield, Peter.
Dessen, Alan C., Elizabethan Stage Conventions and Modern Interpreters (Cambridge: Cambridge University Press, 1984). ... Graves, R.B., Lighting the Shakespearean Stage, 1567–1642 (Carbondale and Edwardsville: South Illinois University ...
However, despite the absence of tools to create “variable lighting,” the plays include numerous night scenes. ... 121 R.B. Graves, Lighting the Shakespearean Stage, 1567–1642 (Carbondale and Edwardsville: Southern Illinois University ...
Johnson , F. R. , Astronomical Thought in Renaissance England . Baltimore : Johns Hopkins University Press , 1937 . Johnson , Lemuel A. , Shakespeare in Africa ( and Other Venues ) : Import and the Appropriation of Culture .
The performance of Oedipus Rex was thus embedded in a much larger festival framework. The performances were open to everyone, but the audience was composed primarily of men and boys, although some accounts suggest that women, children, ...
Beaumont and Fletcher's Sicily and Shakespeare's Britain are interchangeable most of the time. Although marked by Jacobean politics, Philaster and Cymbeline show the influence of earlier Elizabethan literature, above all of Sir Philip ...
The most obvious explanation is that he has knocked off her cap and in doing so has released her hair.8 The next figure to appear in disguise is Andrugio “in armour”; he is announced as “a knight, hath brought Andrugio's head” (I2r) to ...