In the process of providing the most extensive analysis of Alfred Hitchcock’ s Rear Window to date, John Fawell also dismantles many myths and cliché s about Hitchcock, particularly in regard to his attitude toward women. Although Rear Window masquerades quite successfully as a piece of light entertainment, Fawell demonstrates just how complex the film really is. It is a film in which Hitchcock, the consummate virtuoso, was in full command of his technique. One of Hitchcock’ s favorite films, Rear Window offered the ideal venue for the great director to fully use the tricks and ideas he acquired over his previous three decades of filmmaking. Yet technique alone did not make this classic film great; one of Hitchcock’ s most personal films, Rear Window is characterized by great depth of feeling. It offers glimpses of a sensibility at odds with the image Hitchcock created for himself— that of the grand ghoul of cinema who mocks his audience with a slick and sadistic style. Though Hitchcock is often labeled a misanthrope and misogynist, Fawell finds evidence in Rear Window of a sympathy for the loneliness that leads to voyeurism and crime, as well as an empathy for the film’ s women. Fawell emphasizes a more feeling, humane spirit than either Hitchcock’ s critics have granted him or Hitchcock himself admitted to, and does so in a manner of interest to film scholars and general readers alike.
This volume provides a fresh examination of Rear Window from a variety of perspectives.
Illustrated throughout with stills from the film, The Art of Looking is a unique appreciation of the art of Alfred Hitchcock, made even more valuable by the first publication in any form of the full dialogue of a screen masterpiece.
This comprehensive guide to Alfred Hitchcock's film contains detailed scene and character analyses, and explores genre, structure, language and themes.
His critical and disparaging opinion of dialogue in film shows clearly that he did not consider language to be a privileged cinematic medium for communication - quite the opposite and he remarks that language “should simply be a sound ...
Against the backdrop of recent postmodern discourse on cultural theory, Eva Schwarz provides a gripping analysis of the concept of what she describes as visual paranoia.
This book answers these questions about the influence and ongoing appeal of Hitchcock’s work by focussing upon the fabric of the films themselves, upon the way in which they enlist and sustain our desire, holding our attention by ...
This comprehensive guide to Alfred Hitchcock's film contains detailed scene and character analyses, and explores genre, structure, language and themes.
Essay from the year 2011 in the subject Film Science, grade: B+, language: English, abstract: The Interpretation of the famous Alfred's Hitchcock's movie Rear Window based on Robin Wood's and John Belton's analysis.
This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also ...
The other mules were not tied; each was on his own. For the most part they walked singlefile, ... Occasionally on a fast pace I would hear a part of the refrain, “It's a long, long way to Tipperary, and my heart's right there.