1992 , and in " The Shooting of JFK , Stone's interview with R. S. Anson , in Esquire Nov. 1991 . 2. These include Tom Wicker , " Does JFK Conspire Against Reason ? " New York Times 15 Dec. 1991 ; Kenneth Auchincloss , " Twisted History ...
Docudramas, films and movies-of-the-week based on true stories, offer their audiences performance as persuasion. As docudramas re-create actual people and events, these works perform their material.
... No Other Way to Tell It : Dramadoc / Docudrama on Television ( Manchester , England : Manchester University Press , 1998 ) , and Steven N. Lipkin , Real Emotional Logic : Film and Television Docudrama as Persuasive Practice ...
Polish Television in the last four decades 1952–1989. ... O gatunkach i formatach telewizyjnych (About TV Genres and Formats). In E-gatunki. ... Real emotional logic: Film and television docudrama as persuasive practice.
Rosenthal, Alan, The New Documentary in Action: A Casebook in Filmmaking, Berkeley: University of California Press, 1971. Rotha, Paul, Documentary Film, London: Faber and Faber, 1952 (revised 1963, 1968).
C. Carter, Documentary Box 26, YIDFF. Available at: http://www.yidff.jp/docbox/26/box26–3-e.html. Lipkin, S. N. (2002). Real Emotional Logic: Film and Television Docudrama as Persuasive Practice.
Thus, although the final period of the core 'Grierson tradition' and Documentary Film Movement in Britain might be dated up ... The films that were made in these units during this period could not, of course, hope to match the landmark ...
Through analysis of hundreds of articles, speeches, videos, songs, and bureaucratic documents in English and Arabic, the book traces how the jihadist Abu Musab al-Zarqawi created a new culture and psychology, one that would pit Sunni ...
Johnson, David T. (2009), 'Playgrounds of Unlimited Potential: Adaptation, Documentary, and Dogtown and Z-Boys,' Adaptation 2 (1): ... Lipkin, Steven N. (2002), Real Emotional Logic: Film and Television Docudrama as Persuasive Practice, ...
Cartmell and Hunter, “Introduction,” 2. Docudrama also creates a fictional narrative centered on a protagonist as a mechanism for constructing history, but docudramas purport to have their foundation in actuality.
William J. Schafer, Mapping the Godzone: A Primer on New Zealand Literature and Culture (Honolulu: University of Hawaii Press, ¡998), p. ¡¡. 15. Welch, p. 32. For the centenary of cinema, New Zealand film was commemorated on a set of ...