An evaluation of the importance of textual criticism in evaluation of important literary works, based on his study of important American literary works by authors such as James, Crane, and Mailer.
The first of a two-volume biography of Melville traces his life from his childhood in New York, through his adventures abroad as a sailor, to his creation of Moby-Dick.
29 The New Critical elevation of the verbal icon did indeed leave textual critics in an awkward position . ... compromised by their disregard of textual criticism , see Hershel Parker , Flawed Texts and Verbal Icons , Literary Authority ...
As I brought my biographical perspective to Melville's Pierre (and to works by Nathaniel Hawthorne, F. Scott Fitzgerald, Stephen Crane, Mark Twain, Henry James, William Faulkner, Norman Mailer, and others), I repeatedly saw disastrous ...
Press , 1980 ) ; and Michael G. Kenny , The Passion of Ansel Bourne : Multiple Personality in American Culture ( Washington , D. C .: Smithsonian Institution Press , 1986 ) . 3. H. Stuart Hughes , Consciousness and Society : The ...
Dickens, Charles. The Letters of Charles Dickens. The Pilgrim Edition. Oxford: Clarendon. Vol. 4, 1844–1846, ed. Kathleen Tillotson, 1977. Vol. 5, 1847–1849, ed. Graham Storey and K. J. Fielding, 1981. Vol. 6, 1850–1852, ed.
Early in 1886 Melville also received from James Billson , a young English admirer of Thomson , a “ semi - manuscript ” edition of Edward FitzGerald's free translation of the Rubaiyat . ( At a time when correct copies were not available ...
“ Historicism and Critical Editing . ” Studies in Bibliography 39 ( 1986 ) : 1–46 . A Rationale of Textual Criticism . Philadelphia : University of Pennsylvania Press , 1989 . " Recent Editorial Discussion and the Central Questions of ...
their raft.9 Is this an aesthetic shortcoming and artistic blunder, or is it rather a rupture in the text caused by the ... Thus may Parker say in Flawed Texts and Verbal Icons that a work is infused with authorial intention “during the ...
14The delegate from Williamstown, Luke Sawyer, a “gaunt man of very black complexion,” introduces himself as a thirty-year-old who looks fifty as a consequence of the histories that he is about to reveal, ...
73. see hershel Parker, Flawed Texts and Verbal Icons: Literary Authority in American Fiction (evanston, il: northwestern University Press, 1984). Parker surmises that the chapter headings from wilson's calendar were among the last ...