Looks at the scientific basis for theories of drama, and explains how Cage's ideas have affected modern theater.
... Actors and Onlookers (Evanston, IL: Northwestern University Press, 1990), 95. 13. Holub, “Actor Training Legacy ... Actors and Onlookers, 109. 20. Schmitt, Actors and Onlookers, 109. 21. Schmitt, Actors and Onlookers, 110; 151 n. 92. 22 ...
... 215 Brown , S. D. 116 Buckley , W. 241 Burke , P. 59 Bush , B.A. 158 Bush , G.H.W. , President , 224 , 225 Bush , G.W. , President , 241 Buss , A.H. 197 , 221 , 222 Butler , S. 67 , 73 Bacon , F. 14 Bain , A. , 6 , 7 , 86-93 , 95–98 ...
This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present ...
Engaging with important current debates and literature, Keith Breen provides a rigorous analysis of the work of Habermas, Arendt, MacIntyre and Weber and a highly accessible and original intervention within contemporary social and political ...
In this tiny village, among peasants, he first confronted tradition, folk beliefs, and ritual, while Grotowski's mother ... A Search in Secret India, a curious volume about an English journalist's contact with the mysteries of India.
H. E. ACTOR'SB. O. D. Y. :ISITFORM. ALISM? Eric Bently found Grotowski's Akropolisoverlyaesthetic andformal(Bentley 1969:166).Thiswas intentional. Grotowski was seeking a “nonemotive formof expression” (Flaszen citedinKumiega 1985:63).
... citizen-spectators are supposedly in control of the timing of publicity, one mode of which is the press conference ... spectator body as his weapon in this trial by ordeal, rather than the community generated in interaction with the ...
... ONLOOKERS and some of the actors T ( including ELLEN and GEORGE ) are already sitting , or standing and chatting in the acting area , or they could be setting up the scenery , dealing with the props and putting the final touches to ...
This book substantiates two claims.
... onlookers, which they all have in common, is the power of judgment. Therein ... actors and spectators: on the one side the public that needs taste in order ... actors or the makers.55 Like other forms of discernment, aesthetic judgment is ...