As in her Tony Award–winning Metamorphoses, Mary Zimmerman transforms Greek mythology—here the story of Jason and the Argonauts—into a mesmerizing piece of theater. Encountering an array of daunting challenges in their “first voyage of the world,” Jason and his crew illustrate the essence of all such journeys to follow—their unpredictability, their inspiring and overwhelming breadth of emotion, their lessons in the inevitability of failure and loss. Bursts of humor and fantastical creatures enrich a story whose characters reveal remarkable complexity. Medea is profoundly sympathetic even as the seeds are sown for the monstrous life ahead of her, and the brute strength of Hercules leaves him no less vulnerable to the vicissitudes of love. Zimmerman brings to Argonautika her trademark ability to encompass the full range of human experience in a work as entertaining as it is enlightening.
"Green turns his formidable classical learning and his finely nuanced sense of English verse to bear on the challenge of restoring Apollonios to his true place—on a par with the best modern poetic versions of Homer and Virgil."—Robert ...
The Argonautika, the only surviving epic of the Hellenistic era, is a retelling of the tale of Jason and the Golden Fleece, probably the oldest extant Greek myth.
Argonautika
What would have become of the Argonautika's moral issues and dramatic tension , let alone of Jason's complex relationship to Medeia , had this lumbering demi - deus ex machina been there at every turn to eliminate the opposition ?
Das ' unheroische ' Moment dieser Szenerie tritt sogar noch stärker hervor als auf Lemnos in den Argonautika . Denn dort spielte Iasons Verhalten nach der Begrüßungsszene keine herausragende Rolle mehr . Er gibt sich der Liebe nicht ...
Argonautika
The Argonautika: By Apollonios Rhodios
Bryn Mawr Commentaries provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient Greek and Latin literature.