Winner, 2017 American Theater and Drama Society John W. Frick Book Award Winner, 2017 ASTR Barnard Hewitt Award for Outstanding Research in Theater History Hillary Miller’s Drop Dead: Performance in Crisis, 1970s New York offers a fascinating and comprehensive exploration of how the city’s financial crisis shaped theater and performance practices in this turbulent decade and beyond. New York City’s performing arts community suffered greatly from a severe reduction in grants in the mid-1970s. A scholar and playwright, Miller skillfully synthesizes economics, urban planning, tourism, and immigration to create a map of the interconnected urban landscape and to contextualize the struggle for resources. She reviews how numerous theater professionals, including Ellen Stewart of La MaMa E.T.C. and Julie Bovasso, Vinnette Carroll, and Joseph Papp of The Public Theater, developed innovative responses to survive the crisis. Combining theater history and close readings of productions, each of Miller’s chapters is a case study focusing on a company, a production, or an element of New York’s theater infrastructure. Her expansive survey visits Broadway, Off-, Off-Off-, Coney Island, the Brooklyn Academy of Music, community theater, and other locations to bring into focus the large-scale changes wrought by the financial realignments of the day. Nuanced, multifaceted, and engaging, Miller’s lively account of the financial crisis and resulting transformation of the performing arts community offers an essential chronicle of the decade and demonstrates its importance in understanding our present moment.
But they expect to one day just drop dead - and they could be recycled as anything.
He bought gadgets and helmets, earphones and juicers. He poked and he pinched. He counted and he measured. The story of his transformation is not only brilliantly entertaining, but it just may be the healthiest book ever written.
An old woman dies mysteriously at the world's largest shopping and entertainment complex.
Using rural Connecticut as a background, this tension-filled story is told with a unique blend of humor and seriousness, as it unravels a challenging puzzle and explores a difficult social problem.
He’s on vacation with his daughter. And he’s about to turn this terrorist pool party into one righteous bloodbath… “Jericho Quinn is most definitely one of the best characters in the thriller realm.”—Suspense Magazine
Costumes were by Russell Schiavone . Sound design was by Scott Wheeler . Stage Managers were Neil Murphy and Jennifer Milmore . The cast ( in order of appearance ) was as follows : PHILLIP CHAZ LOONEY ....... BRENT REYNOLDS .
From Miami to Beverly Hills, from Mexico City, Acapulco and Las Vegas, LUCKY SANTANGELO is back!
Little Miss Perfect, 'dobber' Danielle, is Tom's arch enemy at school.
“You remembered!” says Dave jovially. “Huh,” says the man. “You looked better in the catalogue picture.” I feel bad for Dave. Having a stranger insult your personal appearance is a hard thing to forget, even for nonexperts like me.
Riiiight. All of this is hard to believe--especially the way this unbelievably sexy villain/double agent/whatever Kevin is makes every (and I mean every) nerve-ending tingle the second he comes into view. . .