This book examines the theater of narration, an Italian performance genre and aesthetic that revisits historical events of national importance from local perspectives, drawing on the rich relationship between personal experiences and historical accounts. Incorporating original research from the private archives of leading narrators—artists who write and perform their work—Juliet Guzzetta argues that the practice teaches audiences how ordinary people aren’t simply witnesses to history but participants in its creation. The theater of narration emerged in Italy during the labor and student protests, domestic terrorism, and social progress of the 1970s. Developing Dario Fo and Franca Rame’s style of political theater, influenced by Jerzy Grotowski and Bertolt Brecht, and following in the freewheeling actor-author traditions of the commedia dell’arte, narrators created a new form of popular theater that grew in prominence in the 1990s and continues to gain recognition. Guzzetta traces the history of the theater of narration, contextualizing its origins—both political and intellectual—and centers the contributions of Teatro Settimo, a performance group overlooked in previous studies. She also examines the genre’s experiments in television and media. The first full-length book in English on the subject, The Theater of Narration leverages close readings and a wealth of primary sources to examine the techniques used by narrators to remake history—a process that reveals the ways in which history itself is a theater of narration.
Honorable Mention, Aldo and Jeanne Scaglione Publication Award for a Manuscript in Italian Literary Studies This book examines the theater of narration, an Italian performance genre and aesthetic that revisits historical events of national ...
The Absent Voice: Narrative Comprehension in the Theater
The book covers the work of writers as diverse as Euripides, Plautus, Shakespeare, Susan Glaspell, Gertrude Stein, Bertolt Brecht, Samuel Beckett, Marguerite Duras, Brian Friel, and Thomas Bernhard.
They liked those works of imagination so much that they even imagined and realized a completely new architectural place in human culture: the theater. This narrative place, never seen before, became the birthplace of the phenomenon of ...
You make it so much more difficult for me ( Wilde , PDG , XII ) 4.1 The study of kinesics in narrative literature and the theater 40 Much has been said regarding the relevance of the nonverbal in speech .
Like Alberti's windowpane, the proscenium frontispiece finally closed off the spectator from the world of the narrative action. If the Italian theater thus became truly a “seeing place,” around whose vantage point was the spectacle to ...
The 21st Century Proscenium: The Computer Interface In Greek theater the narrative unfolded in proscenium, the space in front of the backdrop. Architectural technologies allowed unobstructed views of the actors and used large urns to ...
This volume, based on the first two, identifies the verbal and nonverbal personal and environmental components of narrative and dramaturgic texts and the cinema — recreated in the first through the ‘reading act’ according to gaze ...
A foundational new book, Performing Stories presents a groundbreaking transdisciplinary perspective through new approaches that are stimulating to performance studies, narrative and cultural theory, literary criticism, and game and video ...
Using narrative, philosophical, and psychoanalytic theory, Linda S. Raphael investigates the development of skepticism in narrative.