Claudio Piersanti's spare novel observes the life of Luisa, an aging accountant for a toy factory. She is active, liked, utterly serene in her solitude and habits. But a series of changes challenges her. An outside world of noise and unknown callers intrudes, and, worse, Luisa must cope with the slow collapse of her health. This leads her to a fateful mistake: she retires. Soon she withdraws into total seclusion and alone must confront depression and dementia-and the ultimate silence that lies beyond.
Piersanti uses sharp detail and nuance to construct an everyday life. Luisa and the Silence is the portrait of an ordinary person, distinctive neither in her appearance nor in the depth of her thoughts. Avoiding any pretension to social criticism, Piersanti instead has created a daring novel whose main character simply is.
This book is about silence and power and how they interact. It argues that only by studying how silence works—how it is implicated in the construction of meaning—can we arrive at the elusive roots of power in all its dimensions.
Une femme de soixante ans se trouve, du jour au lendemain, étreinte par une angoisse inexplicable autant qu'irrépressible qui l'amènera tout naturellement à la mort comme un accomplissement de soi dans le silence et la solitude.
... Luisa, ed. 2006. Silence: The Currency of Power. New York: Berghahn Books. Biguenet, John. 2015. Silence. New York: Bloomsbury Academic. Cook, Susan E. 2006. “Language Policies and the Erasure of Multilingualism in South Africa.” In ...
... silence is not an appropriate form of commemoration for a brutal and noisy war, writing in a peace which proved to ... Luisa Achino-Loeb, 'Silence and the Imperatives of Identity', in Maria-Luisa Achino-Loeb, ed., Silence: The Currency ...
In this book, Dr. Thomas explores how noise impacts our lives and how we can cultivate silence and stillness in the face of constant noise.
The Silent One is Jonasi, sent from the sea as a baby to grow up in an isolated Pacific village.
'The bravura and lyricism of the prose (for which translator George Leeson is also to be thanked), the casual deftness of the symbols, and most of all the brilliant concluding monologue leave no doubt that the author was not content with a ...
The Patriot
... Luisa's favorite meal. I also made a fresh pomegranate juice for her. The smell of the food awoke her. She walked into the kitchen. “That smells so good.” I couldn't contain ... Luisa was the first to break the silence. “Whatever 39 Trial.
At this point, she'd rather think of him as a callow cad than a heartbroken nice guy, stuck with this ditz; or, for that matter, as a killer. Could Bruce have been faking it? Dulcie climbed back up the stairs, trying to remember every ...