Expanded to include an additional 29 artists, among them the 17th-century painter Josefa de Ayala; the 18th-century portraitist Catherine Read; the 19th-century sculptor Marcello; and the innovative American printmaker Caroline Durieux, the second edition of Women Artists is evidence of the growing interest in the lives and careers of women artists. Additional annotated entries are included for the painters, printmakers, photographers, sculptors, and craftswomen represented in the earlier volume. Because of the amount of information now available on women architects, they are not included in the second edition. The main section of the book consists of 185 individual artist bibliographies, arranged by century from the early middle ages throughout the 20th century, with a cutoff birth date of 1930. A short biographical sketch introduces each artist; most of the bibliographies close with a list of public collections in which examples of the artist's work can be found. Piland treats the general subject of women artists in a bibliography that includes surveys, biographical dictionaries, catalogs, bibliographies, microfilm collections, slide sets, and dissertations. The final section is a selected bibliography on needlework, the traditional art of women. With 43 black-and-white reproductions. From reviews of the first edition, by Donna G. Bachmann & Sherry Piland (1978) "...immensely helpful...the first full-length bibliography in English that treats only women artists...providential..." --CHOICE "...recommended..." --LIBRARY JOURNAL
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei