Eccentrics of Comedy examines the lives and careers of twelve entertainers whose comedic styles were distinctly eccentric: Milton Berle, Ed Brendel, Bobby Clark, Phyllis Diller, the Duncan Sisters, Edward Everett Horton, Alice Howell, Franklin Pangborn, Old Mother Riley, Margaret Rutherford, Colonel Lemuel Q. Stoopnagle, and Ernest Thesiger. For the majority of these performers, Eccentrics of Comedy provides the first serious, detailed discussion of their work. The figures are from all areas of popular entertainment. Milton Berle is Mr. Television. The Duncan Sisters and Bobby Clark were headliners in vaudeville and musical comedy. Alice Howell was a silent screen comedienne. Colonel Lemuel Q. Stoopnagle was a familiar figure on radio in the 1930s. Edward Everett Horton, Franklin Pangborn, Old Mother Riley, Margaret Rutherford, and Ernest Thesiger are primarily known for their work on screen. The comedic styles vary widely, but Slide highlights similarities between the entertainers. Slide writes with enthusiasm and affection for his subjects. Both Milton Berle and Phyllis Diller offered him first-hand accounts of their careers, and in many cases he quotes from other film celebrities who worked with the comedians. Slide offers a thorough understanding of the media in which his subjects worked and brings their acts to life.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work.
Presents the 1937 Pulitizer prize-winning drama featuring the Sycamores and the Kirbys.
Bill Melton was the last out of the game. He hit a line drive off my chest, and the ball fell toward the third-base side. I went down and got it, threw underneath my arm to first base for the last out, slid in the rain across the ...
Find more at www.forgottenbooks.com This book is a reproduction of an important historical work.
This is a glorious gallery of the extremes of human nature, portrayed with humor, sympathy, knowledge, and love.
From the PREFACE to the first volume.
Tracing a career that lasted from 1912 into the 1950s, Havig describes the "verbal slapstick" style that was Fred Allen's hallmark and legacy to American comedy.