Film noir literally "black cinema" is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon."
An earlier version of the film appeared in 1935 with George Raft as Beaumont, Edward Arnold as Madvig, and Claire Dodd as Get Carter (7 971) directed by Mike Hodges. Shown: Michael 172 ~ GLASS KEY, THE.
When money troubles drive Bailey to the brink of suicide, a kindly angel intervenes to allow him to see what Bedford Falls would have been like without Bailey's efforts to make things better. In particular, without Bailey, ...
Offers a reference guide to film noir, extending from relevant films from before the genre was established to contemporary neonoirs and other types of film derived from the genre.
As our understanding of the noir corpus expands to constitute a ‘noir mediascape’, this volume represents a compelling addition to the academic debate, interrogating film noir from a range of angles including its conceptualization; its ...
It can be argued that cinema was created in France by Louis Lumière in 1895 with the invention of the cinématographe, the first true motion-picture camera and projector. While there...
(2007), which also provides invaluable information on the activities of Nikkatsu studio during the late 1950s and ... Fantasy and Horror Films (1994) and The Toho Studios Story: A History and Complete Filmography (2008); and Thomas ...
Campbell's novella Who Goes There? (1938). Shifting the action of the first film from the Arctic to Antarctica (and thus placing it in an even more remote and forbidding environment), The Thing once again tells the story of a remote ...
Film noir's popularity with cinema audiences, enthusiasts and scholars has remained unabated since post-war French critics began discerning a new trend in American film with the release of such stylish...
HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor Science Fiction Literature, ... Hong Kong Cinema, by Lisa Odham Stokes, 2007. ... German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008.
"This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography.