The Cultural Chronicle of the Weimar Republic is an account of significant cultural events in Germany during the time of the Weimar Republic. Weimar culture was responsible for producing such icons as actress Marlene Dietrich, novels like All Quiet on the Western Front, musicals like The Threepenny Opera, the political cabaret, the Bauhaus School, and films like The Cabinet of Dr. Caligari and Metropolis. There were hundreds of premieres, performance debuts, exhibitions, works of fiction, and other cultural events that marked the Republic as Western Civilization's first modernist society. This book presents these and scores of other modernist inscriptions worthy of note, while providing notations that inform readers of connections among individuals, art works, related cultural activities, and significant political and economic developments.
Sourcebook on the Weimar Republic.
This series explores the conceptual frameworks that shape or have shaped the ways in which we understand music and its history, and aims to elaborate structures of explanation, interpretation, commentary and criticism which make music ...
Gayle Rubin, “Thinking Sex: Notes for a Radical Theory of the Politics of Sexuality,” in Culture, Society and Sexuality: A Reader, ... William Grange, Cultural Chronicle of the Weimar Republic (Lanham, MD: Scarecrow Press, 2008), 101.
William Grange, Cultural Chronicle of the Weimar Republic (Lanham, MD: Rowman and Littlefield, 2008), 3. 3. Richard J. Evans, The Coming of the Third Reich (New York: Penguin, 2004), 105.
... Isabel Bayrakdarian (Marzelline), and René Pape (Rocco); conducted by Christoph von Dohnányi; directed by Gina Lapinski. October 28, 2011, Houston, Houston Grand Opera, with Karita Mattila (Leonore), Simon O'Neill ...
56 At the same time other geographers , such as Herbert Barthel , began to occupy themselves with demographic issues in terms that clearly reflected the influence of Burgdorfer's analysis . In an article entitled “ Der ...
In A National Acoustics, Brian Currid challenges this reductive characterization by investigating the transformations of music in mass culture from the Weimar Republic to the end of the Nazi regime.
... 1972);Alex De Jonge, The Weimar Chronicle: Prelude to Hitler(New York, 1978); Thomas Kniesche andStephen Brockmann, eds.,Dancing onthe Volcano: Essays on theCulture ofthe Weimar Republic (Rochester, 1994); Landesmuseum für Technik ...
128–44 ; W. Laqueur , Weimar : A Cultural History 1918–1933 ( London , 1974 ) , pp . 224–53 ; A. De Jonge , The Weimar Chronicle : Prelude to Hitler ( New York , 1978 ) , pp . 125–46 ; Ch . W. Haxthausen and H. Suhr , eds . , Berlin ...
Theatre was one of many German institutions experiencing profound change in the aftermath of World War I. Grange contends that had comedy not prevailed throughout the turbulent years of the...