Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.
Science Fiction literature, also known as sci fi and sf, is one of the more recent genres, and also one of the more popular. It only truly emerged during the...
In this volume, critics and authors of fantasy look at its history since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy, and examine some of the many varieties and subgenres ...
Handbook of fantasy fiction for teachers, librarians, parents and guardians and children themselves in which to find many titles of fantasy fiction that they like, or may be tempted, to read.
The Fantasy Genre John H. Timmerman ... 6 Marshall B. Tymn , Kenneth J. Zahorski , and Robert H. Boyer , Fantasy Literature : A Core Collection and Reference Guide ( New York : R.R. Bowker Company , 1979 ) , p . 74 .
In fact, the association of fantasy with children — and childishness — is quite bizarre, in that fantasy (at least as most often constructed) concentrates on worlds other than this one: alternative worlds — desirable, if unattainable ...
The heroes are not mere monkeys , but of royal Mulgar blood , and can walk upright and learn human language : the topic of ( d ) evolution is lightly touched as they struggle towards their goal . Past Minimuls and Gungas , Quattas and ...
In the conclusion to this book Manlove draws the different types of division found into one and argues that the problem is one that is endemic to the writing of modern fantasy.
... many of the stories she wrote : 48 it is there in Salome and in Dormant , and in a number of smaller ghost and terror tales collected in Grim Tales ( 1893 ) , Man and Maid ( 1906 ) , Fear ( 1910 ) and To the Adventurous ( 1923 ) .
throwing herself down to dash her brains out on the road, but then they realized that they were looking at the sole of Si-yu's boot, the rest of her dangling down over the side of the saddle. Si-yu's foot was caught in one of the ...
The Fisherman becomes the walking dead, a ghost of his former self, but for Wilde this shape creates a more appealing contrast to the Soul that is left behind. While the Fisherman joins the Mermaid under the sea, his Soul—now lacking ...