Music performance requires a high degree of physical skill, yet until recently, musical training has paid little attention to the considerable demands made on the mind and body. The Biology of Musical Performance and Performance-Related Injury presents singers and instrumentalists with accurate information on the physical processes that underlie their craft. The book provides a concise overview of the biological principles associated with performance technique while assuming no prior scientific knowledge, making it accessible to both musicians and to health professionals who treat performance-related medical conditions. Author Alan H. D. Watson explains the concepts and techniques of music performance, discussing themes such as posture and the back; movements of the arm and hand and associated problems; breathing in singers and wind players; the embouchure and respiratory tract in wind playing; the larynx and vocal tract in singers; the brain and its role in skill acquisition and aural processing; and stress and its management. Watson offers performers and teachers the tools they need to create a rational approach to the development and communication of technique. He also provides insight into the origins of performance-related injury, helping to reduce the risk of such problems by encouraging a technique that is sustainable in the long term. Each chapter includes several illustrations and an extensive bibliography for further reading. To support the text, a CD-Rom is included, featuring original diagrams that clearly illustrate the relevant aspects of body structure and function, explaining and illuminating key concepts through an extensive set of animations, sound files, and videos.
This book is aimed equally at student musicians, practising musicians, and instrumental and vocal teachers, and it aims to help them to begin to understand how and why their bodies function as they do when they perform and also how they may ...
... Injury and Attitudes to Injury Management in Skilled Flute Players,” Work 40 ... Performance in Orchestra Musicians and Actors,” Medical Problems of Performing ... The Biology of Musical Performance and Performance- Related Injury (Lanham ...
Constructions of jazz: How jazz musicians present their collaborative musical practice. Musicae Scientiae, 10(1), 59–85. Mazzola, G. & Cherlin, P. B. (2009). Flow gesture and spaces in free jazz. Heildelberg: Springer.
The interactive potential of creative music therapy with premature infants and their parents: a qualitative analysis. Nordic Journal of Music Therapy ... Infant and Child Development 19(1): 45–54. doi:10.1002/ icd.653 Jardri R., Pins, ...
Upper Saddle River, NJ: Pearson. Olsson, E., von Schéele, B., & Theorell, T. (2013). Heart rate variability during choral singing. Music and Medicine, 5(1), 52–59. Omar, R., Hailstone, J., Warren, J., Crutch, S., & Warren, J. (2010, ...
This simple primer assists the reader in the management of these highly complex (and sometimes highly strung) elite athletes. This book is pitched at the Masters level.
... Performing Artists, 1(3), 90–93 Watson, R. (2009).The Biology of Musical Performance and Performance-Related Injury: Scarecrow Press Wynn Parry, C.B. Specific Conditions. In Winspur, I.and Wynn Parry, C. (ed.) The Musicians Hand 2005 ...
Over 100 Performance Strategies for the Advanced Cellist Brian Hodges, Jo Nardolillo ... Style and Performance for Bowed String Instruments in French Baroque Music. Burlington, VT: Ashgate Publishing, 2012. Donnington, Robert.
... you're built like a car”—only to find it strangely, wonderfully confounded in the line that follows—“You got a hub cap diamond star halo”—then brought right back to the concrete in the third line: “You're built like a car—Oh, yeah.
Playing Less Hurt addresses this need with specific tools to avoid and alleviate injury. Impressively researched, the book is invaluable not only to musicians, but also to the coaches and medical professionals who work with them.