The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema.
HATHAWAY, HENRY (1898–1985). A reliable and highly experienced action director, Hathaway directed several semidocumentary noirs: The House on 92nd Street (1945) and 13 Rue Madeleine (1947) produced by Louis de Rochemont, and also Call ...
He subsequently teamed up with Merian C. Cooper, his collaborator on Grass and Chang, to make The Most Dangerous Game (The Hounds of Zaroff) (1932), a jungle horror film that Schoedsack codirected with Irving Pichel and that Cooper ...
MORRIS, OSWALD (1915— ). Cinematographer. Ossie Morris worked his way up through the camera departments of the British film studios of the 1930s. He operated for leading cameramen, such as Ronald Neame, Guy Green, and Wilkie Cooper, ...
It can be argued that cinema was created in France by Louis Lumière in 1895 with the invention of the cinématographe, the first true motion-picture camera and projector. While there...
... was soon followed by what many regard as Risi's finest film, Diario di una schizofrenica (Diary of a Schizophrenic Girl, ... A decade later, he returned to directing for the big screen with Un amore di donna (Love of a Woman, 1988), ...
On a streetcar, the young piano teacher Magda (Asta Nielsen) meets Knud (Robert Dinesen, 1874—1972), the son of a vicar. Knud invites Magda to spend the summer in his father's vicarage in the countryside. During the summer, a circus ...
... of Sherlock Holmes stories: A Study in Scarlet, “The Red-Headed League,” “The Five Orange Pips,” “The Adventure of ... portrayed by Arthur Conan Doyle in the Sherlock Holmes story “The Man with the Twisted Lip” as an embodiment of ...
"Hurwitz surveys the types of expression that have been subject to censorship, repression, and punishment in the US. . . . This valuable reference work is highly recommended for all...
When money troubles drive Bailey to the brink of suicide, a kindly angel intervenes to allow him to see what Bedford Falls would have been like without Bailey's efforts to make things better. In particular, without Bailey, ...
FILM AND RELIGION IN POLAND Coates, Paul. Cinema, Religion, and the Romantic Legacy: Through a Glass Darkly. Aldershot, UK: Ashgate, 2003. Falkowska, Janina. “Religious Themes in Polish Cinema.” In The New Polish Cinema, ...