The baryton is a unique string instrument that provides both bowed melody and plucked accompaniment simultaneously. It emerged in the Baroque era as a solo, self-accompanying viol and was later adopted as a virtuoso melodic instrument to enhance the dramatic arias of the day. A History of the Baryton and Its Music: King of Instruments, Instrument of Kings is the only reference available on this intriguing instrument. This presents a detailed history of the baryton, guidance on playing technique, information on its design and manufacture, descriptions and photos of extant instruments, and a repertoire of hitherto unpublished music. Carol A. Gartrell details the origins and development of the baryton through the instruments that have survived, and through a unique collection of music representing different styles and genres. In addition to a bibliography and an index, the book concludes with two galleries containing an extensive inventory: the first provides detailed descriptions of all extant instruments and more than 20 photographs, while the second gallery catalogs extant manuscripts and supplies a representative selection of complete transcriptions, illustrating the range and variety of baryton music and providing musicians with previously unpublished music they could perform. Complete with a selected discography of baryton recordings, A History of the Baryton and Its Music is an interesting and necessary resource for the musicologist, organologist, and performer.
William Grant Still and the Fusion of Cultures in American Music
Carefully structured to link information directly to the CIM syllabus, this coursebook text offers a range of cases, questions, activities, definitions and study tips to support and test your understanding...
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
45905-1-2-3 Floating Down The old Green River ( Kalmar ) 31 Jul 15 A - 1825 BERT WILLIAMS : Vocal , with orchestra . ... 45912-1-2-3 Spring Morning Serenade ( Aubade Printanière ) ( P. Lacombe ) 4 Aug 15 A - 1805 PALIE K.LUA - DAVID K.
... as leader of Beethoven's ' Quintett , ' his colleagues being F. Cramer , Moralt , H. Gattie , and Lindley ; at the sixth concert ( May 31 , 1813 ) , he played second violin in a Quartet by Mozart . 128 According to F.G. Edwards ...
11 James W. Palmer's Shape - note hymnal was for sale in Lexington in 1826 : NEW MUSICK BOOK Just published , and for sale at J. W. Palmer's and W. W. Worsley's Book - Stores , “ THE WESTERN HARMONIC COMPANION ; Containing most of the ...
The Minstrelsy of England
In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, "both as a fascinating, exhaustive study of the riches of the past and as a stimulating ...
'This book is about much more than the birth of opera: it is about why opera has the ingredients it does--its arias, laments, happy endings, and its struggles between men, and women, and gods.
据贝多芬的学生,贝多芬传记的作者辛德勒的记述,他曾向贝多芬请教关于第五交响曲第一乐章主导动机的寓意,贝多芬回答说:“这是命运的叩门,命运就是这样敲门的。”后来人们就称第五交响曲为“命运交响曲”。