Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Published to coincide with the Centenary of Cinema in 1995, this A-Z guide of European film provides an overview of the development of European cinema. It contains biographies of important...
More than seven thousand entries cover all aspects of world cinema: biographies and film credits for directors, producers, writers, and actors, awards, technical terms, major studios, and schools of film
... darkness lose their innocence in a remorseless delving ever deeper into their self and away from 'civilisation'. For Willard this culminates in a shot of him emerging at night from a swamp, half-naked and with his face blackened, ...
It can be argued that cinema was created in France by Louis Lumière in 1895 with the invention of the cinématographe, the first true motion-picture camera and projector. While there...
Gay and Lesbian Cinema: p. 513-514.
It contains more than 60 black and white photographs of featured films, includes references and suggestions for further reading at the end of each chapter, and the volume concludes with comprehensive name, film and general indexes.
Rosenthal, Alan, The New Documentary in Action: A Casebook in Filmmaking, Berkeley: University of California Press, 1971. Rotha, Paul, Documentary Film, London: Faber and Faber, 1952 (revised 1963, 1968).
In this unprecedented book, Rebecca Hillauer assembles a comprehensive and penetrating look into the history of Arab women's filmmaking, as well as the political and social background of the countries - Egypt, Iraq, Lebanon, Syria, Algeria, ...
Further reading Ford, Charles (1984) Albert Capellani, precursor méconnu, Bois d'Arcy: Archives du Film. ERIC LE ROY Capellani, Paul b. 1873,01. 1960 actor, France After working in the theater in Paris, Paul Capellani moved into the ...
Truffaut discusses films by such acknowledged masters as Hitchcock, Huston, Dymytryk, and Lang, but also examines the work of such lesser-known directors as Robert Wise, Don Weis, and Roger Vadim.