Postmodernist literature embraces a wide range of forms and perspectives, including texts that are primarily self-reflexive; texts that use pastiche, burlesque, parody, intertextuality and hybrid forms to create textual realities that either run in opposition to or in parallel with an external reality; fabulations that develop both of these strategies; texts that ironize their relationship to reality; works that use the aspects already noted to more fully engage with political or cultural realities; texts that deal with history as a fiction; and texts that elude categorization even within the variety already explored. For example, in fiction, a postmodernist novel might tell a story about a writer struggling with writing (only, perhaps, to find that he is a character in a book by another writer struggling to write a book). The A to Z of Postmodernist Literature and Theater examines the different areas of postmodernist literature and the variety of forms that have been produced. This is accomplished through a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first century operates.
London: Hamish Hamilton, 1985. ———. Chatterton. London: Hamish Hamilton, 1987. ———. English Music. London: Hamish Hamilton, 1992. ———. The Plato Papers. London: Chatto & Windus, 1999. ———. The Casebook of Victor Frankenstein.
This book addresses gender and class as well as racial issues in the context of a theoretical discussion of dramatic texts, textuality, and performance.
This book offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern ...
... 113–114 Book Review Digest, 95, 96–99 Book Review Digest Plus, 96, 97, 155 Book Review Digest Retrospective, 96, 97 Book Review Index, 95, 96, 98, 155–156 Book Review Index: A Master Cumulation 1965–1984, 96,98 Book Review Index ...
In New German Filmmakers: From Oberhausen through the 1970's, edited by Klaus Phillips, 168–84. New York: Frederick Ungar, 1984. ... Plater, Edward M.V., and, J. Yellowlees Douglas. “The Temptation of Jonathan Zimmermann: Wim Wenders' ...
The A to Z of the Progressive Era by Catherine Cocks, Peter C. Holloran, and Alan Lessoff, 2009. The A to Z of Middle Eastern Intelligence by Ephraim Kahana and Muhammad Suwaed, 2009. The A to Z of the Baptists William H. Brackney, ...
CAPELLANI, ALBERT (1870–1931). Actor, director, and screenwriter. Albert Capellani was one of the few pioneers of cinema to have any formal training in the dramatic arts. He studied drama at the Paris Conservatoire d'art dramatique ...
In the same year, together with Monicelli, he directed Totò cerca casa (Toto Looks for an Apartment, 1949), ... After L'uomo, la bestia e la virtù (Man, Beast and Virtue, 1953), an adaptation of a play by Luigi Pirandello that featured ...
BEERY, WALLACE • 19 BEATTY, WARREN (1937–). One of Hollywood's most enigmatic actors, Warren Beatty has worked in critically acclaimed films such as Bonnie and Clyde (1967) and notable box office disasters such as Ishtar (1987).
As a vocalist, Davis's hits include “Hey There,” “Mr. Wonderful,” and “Too Close for Comfort.” His first Broadway show, Mr Wonderful, was a big hit in 1956, and he followed that stage success with Golden Boy.