In Sight and Sound magazine's 2012 poll of the greatest films of all time, Vertigo placed at the top of the list, supplanting Citizen Kane. A favorite among critics, it also made the American Film Institute's 100 Years, 100 Movies where it ranked in the top 10. Often regarded as Hitchcock's most personal work, the film explores such themes as obsession, exploitation, and voyeurism. In The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage, and Commemoration, Douglas A. Cunningham has assembled provocative essays that examine the uniquely integrated relationship that the 1958 film enjoys with the histories and cultural imaginations of California and, more specifically, the San Francisco Bay Area. Contributors to this collection ponder a number of topics such as the ways in which Vertigo resurrects the narratives of San Francisco's violent past; how sightseeing informs the act of watching the film; the significance that landmarks in the film hold in our collective cultural memory; and the variety of ways in which Vertigo enthusiasts commemorate the film. The essays also ask larger questions about the specificities of place and the role such specificities play in our comprehensive efforts to understand this layered and seminal film. Because of its interdisciplinary approach, The San Francisco of Alfred Hitchcock's Vertigo will have a broad appeal to scholars of film, anthropology, geography, ethnic studies, the history of California and the West, tourism, and, of course, anyone with an abiding interest in the work of Alfred Hitchcock.
Footsteps in the Fog is a celebration of the San Francisco films of Alfred Hitchcock. The master director's familiarity with Northern California greatly influenced his decision to use Bay Area...
Loading the Silence: Australian Sound Art in the Post-Digital Age. New York: Routledge, 2016. ______. “Modernist and Postmodernist Arts of Noise, Part 2: From the Clifton Hill Mob to Chamber Made Opera's Phobia.
Over in the East Bay, botanist Mary Bowerman was the first to discover the immense biodiversity of Mount Diablo, in the 1930s. She founded Save Mount Diablo, and today open space covers almost the entire peak (a model later adopted by ...
In this paper I am going to argue that the whole movie follows a spiral-like structure and through repetition of certain motifs Hitchcock is able to suck the viewer deeper and deeper into the story of Vertigo.
Intrigue would be replaced by obsession, and dreams replaced by nightmares. This is the story of a desperate man. A man who ended up compromising his own morality beyond all measure, while World War II raged outside his front door.
A bold, brilliant exploration of one of the most admired works of cinema, The Philosophical Hitchcock will lead philosophers and cinephiles alike to a new appreciation of Vertigo and its meanings.
Along the way you'll meet characters like the city's foremother Juana Briones, Gold Rush entrepreneur Levi Strauss, confectioner Domenico Ghirardelli, gangster Al Capone, the rock legends of Haight-Ashbury, activist politician Harvey Milk, ...
Stam, Robert. 1991. “Hitchcock and Buñuel: Authority, Desire and the Absurd.” In Hitchcock's Re-released Films: From Rope to Vertigo, edited by Walter Raubicheck and Walter Srebnick. Detroit: Wayne State University Press. Stam, Robert.
The Testament of Judith Barton tells Judy's behind-the-scenes side of the story in her own voice. Like Wicked for The Wizard of Oz, it reveals the secret history behind a classic story from a mysterious woman's point of view.
A kaleidoscopic tribute to San Francisco by a life-long Bay Area resident and co-founder of Salon explores specific city sites including the Golden Gate Bridge and the Land's End sea cliffs while tying his visits to key historical events.