In a career that spanned 60 years, Paul Whiteman changed the landscape of American music, beginning with his million-selling recordings in the early 1920s of Whispering, Japanese Sandman, and Three O Clock in the Morning. Whiteman would then introduce symphonic jazz, a powerful blend of the classical and jazz idioms that represented a whole new approach to modern American music, influencing generations of bandleaders and composers. While some hold that at the close of the Roaring Twenties Whiteman s musical hegemony quickly waned, Don Rayno illustrates in this second volume of Paul Whiteman: Pioneer in American Music how much of a dominant figure Whiteman remained. A major figure on the American music scene for decades to come, he would continue to lead critically-acclaimed orchestras, filling theaters and concert halls alike and diligently seeking out and nurturing musical talent on the largest scale of any orchestra leader in the 20th century. In this second volume of Rayno s magisterial treatment of the life and music of this remarkable maestro, Whiteman s career during the second half of his life is explored in the fullest detail, as Whiteman conquers the worlds of theater and vaudeville, the concert hall, radio, motion pictures, and television, winning accolades in all of them. Through hundreds of interviews, extensive documentation, and exhaustive research of over nearly three decades, a portrait emerges of one of American music s most important musical figures during the last century. Rayno paints a stunning portrait of Whiteman s considerable accomplishments and far-reaching influence."
34 in C Matisse , Henri 7 Michaels , Geoffrey 146 228 , 268 , 345 Mattersdorf , Kingdom of Milan 259 Symphony No. 39 266 Hungary ( now Austria ) Millar , Felix 80 , 91 Symphony No. 40 165 , 5 Miller , Kevin 191–192 266 Matthews , Brenda ...
Also , in studying the programs of Houston's recent seasons , he discovered that several of the " warhorses , ” like the Tchaikovsky Sixth Symphony which he wanted dearly to conduct , had been absent from Houston for years .
Chesterfield Presents Jimmy McHUGH: I'm in the mood for love (3:15) Ce'sar CUl: Orientale (3:10) Lily Pons, soprano STRAUSS: The Blue Danube (5:50) chorus Albert J. TRACE: I couldn't believe my eyes (3:50) Lily Pons Jimmy McHUGH: I feel ...
"With his hallmark wit and eloquence, Colonel John R. Bourgeois gives an autobiographical account of his life and career as a musician from humble roots who rose through the ranks to became [i.e. become] the twenty-fifth director of "The ...
The Pfeifer would play from the church tower every morning and evening and at Sunday services . Left : the pifferi , their counterparts in Italy . Right : the English waits . ments could be effectively used in contrast with one another ...
... 26 , 27 Mar 1988 Circle Theatre Indianapolis Lee Luvisi ( pno ) , ISOf Beethoven ( incl . conc 3 ; overture added for 25 , 26 Mar ) 27 Mar 1988 Jasper IN As 25 , 26 March : 543 : APPENDIX I : PARTIAL CHRONOLOGY 1987 CONCERT DIARY /
André Previn: A Biography
Duane C. S. Stoltzfus, Pacifists in Chains: The Persecution of Hutterites in the Great War (Baltimore: John ... John Hofer, The History of the Hutterites (Altona: D. W. Friesen and Sons,1988), 62; Stoltzfus, Pacifists in Chains, 115.
Agua entre los dedos: vida y muerte de Waldo de los Ríos
How d'you get a pompous ass like Alpheus to act devastated ? ... Everyone was less than amused when she promptly whizzed off to sing in an arena concert in New York , except Rannaldini who was already there and was taking a fat ...